Shloka 6
भीष्मवधाय प्रयाणम् — The Advance toward Bhīṣma and Counter-Engagements
सो35तिविद्धो महेष्वासस्तव पुत्रेण धन्विना । क्रोधसंरक्तनयनो वेगेनाक्षिप्य कार्मुकम्,आपके धनुर्धर पुत्रके द्वारा चलाये हुए बाणसे अत्यन्त पीड़ित हो महाधनुर्धर भीमसेनने क्रोधसे लाल आँखें करके वेगपूर्वक धनुषको खींचा और तीन बाणोंसे दुर्योधनकी दोनों भुजाओं तथा छातीमें चोट पहुँचायी। उन बाणोंद्वारा राजा दुर्योधन तीन शिखरोंसे युक्त गिरिराजकी भाँति शोभा पाने लगा
sa atividdho maheṣvāsas tava putreṇa dhanvinā | krodhasaṃraktanayano vegenākṣipya kārmukam |
Wika ni Sañjaya: Matinding nasugatan sa mga palasong pinakawalan ng iyong anak na mamamana, si Bhīmasena—dakilang mamamana—ay namula ang mga mata sa galit at mabilis na hinila ang busog nang buong lakas. Pagkaraan, sa tatlong palaso, sinugatan niya si Duryodhana sa dalawang bisig at sa dibdib. Sa tatlong palasong iyon, nagmistulang maringal si Haring Duryodhana, gaya ng isang hari ng bundok na may tatlong taluktok.
संजय उवाच
Educational Q&A
The verse highlights how anger (krodha) intensifies conflict: even a mighty warrior, once wounded, responds with wrath and escalates violence. It also shows the epic’s moral tension—battlefield ‘glory’ can be narrated as splendor, yet it is inseparable from suffering and harm.
After being badly struck by Duryodhana’s arrows, Bhīma forcefully draws his bow and shoots three arrows that hit Duryodhana’s two arms and chest. Duryodhana, bearing three prominent wounds, is compared to a three-peaked mountain, appearing striking despite being injured.