Shloka 8

विशिखोन्मथितैगत्रिर्बाहुभिश्व सकार्मुकै: । सहस्ताभरणैश्चान्यैरभवच्छादिता मही,सारी पृथ्वी बाणोंसे छिन्न-भिन्न हुई लाशों, धनुष तथा हस्ताभरणोंसहित कटी हुई दोनों भुजाओंसे पट गयी थी

viśikhonmathitair gātrair bāhubhiś ca sa-kārmukaiḥ | sahastābharaṇaiś cānyair abhavac chāditā mahī ||

Wika ni Sañjaya: Natabunan ang lupa—nagkalat ang mga bangkay na pinira-piraso ng mga palaso, ang mga bisig na naputol na may hawak pa ring busog, at iba pang mga sangkap ng katawan na may mga palamuti pa sa mga kamay.

विशिखwith arrows
विशिख:
Karana
TypeNoun
Rootविशिख
FormMasculine, Instrumental, Plural
उन्मथितtorn up / churned / mangled
उन्मथित:
Karana
TypeAdjective
Rootउन्मथित (उद्+मथ्)
FormNeuter, Instrumental, Plural
अङ्गैःwith limbs (bodies/parts)
अङ्गैः:
Karana
TypeNoun
Rootअङ्ग
FormNeuter, Instrumental, Plural
बाहुभिःwith arms
बाहुभिः:
Karana
TypeNoun
Rootबाहु
FormMasculine, Instrumental, Plural
and
:
TypeIndeclinable
Root
सकार्मुकैःtogether with bows
सकार्मुकैः:
Karana
TypeAdjective
Rootस-कार्मुक
FormMasculine, Instrumental, Plural
सहस्तtogether with hands
सहस्त:
Karana
TypeAdjective
Rootसहस्त
FormNeuter, Instrumental, Plural
आभरणैःwith ornaments (armlets etc.)
आभरणैः:
Karana
TypeNoun
Rootआभरण
FormNeuter, Instrumental, Plural
and
:
TypeIndeclinable
Root
अन्यैःwith other (things/ones)
अन्यैः:
Karana
TypeAdjective
Rootअन्य
FormMasculine, Instrumental, Plural
अभवत्became / was
अभवत्:
TypeVerb
Rootभू
FormImperfect (Laṅ), 3, Singular
छादिताcovered
छादिता:
TypeAdjective
Rootछादित (छाद्)
FormFeminine, Nominative, Singular
महीthe earth
मही:
Karta
TypeNoun
Rootमही
FormFeminine, Nominative, Singular

संजय उवाच

S
Sañjaya
A
arrows (viśikha)
B
bows (kārmuka)
A
arms (bāhu)
H
hands (hasta)
O
ornaments (ābharaṇa)
E
earth/ground (mahī)

Educational Q&A

The verse underscores the grave human cost of warfare: even when fought under the banner of duty, battle results in widespread destruction of bodies and lives. It invites ethical reflection on violence, the weight of kṣatriya-duty, and the impermanence of worldly status symbolized by fallen ornaments and weapons.

Sañjaya describes the battlefield scene to Dhṛtarāṣṭra: the ground is blanketed with mangled bodies and severed arms still holding bows, along with hands adorned with ornaments—vividly portraying the intensity of the fighting and the scale of casualties.