Adhyāya 70: Sātyaki’s Arrow-Display and the Bhūriśravas Engagement; Twilight Withdrawal
तमुग्रमुग्र्माणमुग्रां बुद्धि समास्थितम् । ब्रह्मणो5पचितिं कुर्वन् जघान पुरुषोत्तम:
tam ugram ugramāṇam ugrāṁ buddhiṁ samāsthitam | brahmaṇo 'pacitiṁ kurvan jaghāna puruṣottamaḥ ||
Wika ni Bhīṣma: Pagkaraan, pinabagsak ng Kataas-taasang Persona ang mabangis na mandirigmang iyon—na nagngangalit sa lupit at nakapirmi sa malupit na pasiya—habang (ang pumuksa) ay nagsasagawa ng banal na paggalang kay Brahmā.
भीष्म उवाच
Even in warfare, action is portrayed as accountable to a higher moral and cosmic order: the slaying is described alongside reverence to Brahmā, suggesting that force, when exercised, should be aligned with dharma and not mere rage.
Bhīṣma narrates that a ‘Puruṣottama’ figure kills a fiercely aggressive opponent who is fixed in a harsh intent; the act is simultaneously characterized as being done while offering reverence to Brahmā, heightening the sense of solemn, duty-bound combat.