Shloka 36

भीष्मरथाभिमुख्यं — Arjuna’s advance with Śikhaṇḍin; Duḥśāsana’s interception

Devanagari script

पताकाध्वजवृक्षाद्या मर्त्यकूलापहारिणी । क्रव्यादहंससंकीर्णा यमराष्ट्रविवर्धनी

Transliteration

sañjaya uvāca |

patākādhvajavṛkṣādyā martyakūlāpahāriṇī |

kravyādahaṃsasaṃkīrṇā yamarāṣṭravivardhinī ||

Translation

Wika ni Sañjaya: “Ang mga watawat at sagisag ay wari’y mga punong nakahanay sa pampang. Tinatangay nito ang mga bunton ng bangkay ng tao, dinudurog at pinagwawatak ng rumaragasang agos. Nagsisiksikan sa paligid ang mga ibong kumakain ng laman na para bang mga sisne. Ang ilog na iyon ay lalo lamang nagpapalawak sa kaharian ni Yama—pinapakain ang kamatayan ng ani ng digmaan.”

Word by Word

• {'patākā': 'banner, flag', 'dhvaja': 'standard, ensign', 'vṛkṣa': 'tree', 'ādyā': 'and the like

• beginning with', 'martya': 'mortal, human', 'kūla': 'bank, shore', 'apahāriṇī': 'carrying away, sweeping off', 'kravyāda': 'flesh-eating (bird/beast)

• carrion-eater', 'haṃsa': 'swan (also a poetic image for purity/serenity)', 'saṃkīrṇā': 'crowded, filled, thronged', 'yama': 'Yama, lord of death', 'rāṣṭra': 'realm, kingdom, domain', 'vivardhinī': 'increasing, augmenting'}

Speaker

संजय उवाच

Characters & Entities

• Sañjaya
• patākā (banners)
• dhvaja (standards)
• vṛkṣa (trees)
• kravyāda (carrion-eating birds)
• haṃsa (swans, as simile)
• Yama
• Yama-rāṣṭra (realm of Yama)

Educational Q&A

What is the core teaching?

The verse underscores the moral cost of war: the battlefield becomes a landscape where symbols of glory (flags and standards) are reimagined as lifeless scenery, while death (Yama’s realm) expands. It invites reflection on impermanence and the ethical weight of violence even within the frame of kṣatriya-duty.

What is happening in the narrative?

Sañjaya narrates to Dhṛtarāṣṭra a gruesome scene from the Kurukṣetra war: a torrent-like ‘river’ of slaughter where banners resemble riverside trees, corpses are swept along like debris, and carrion birds gather densely—an image that signals massive casualties and the dominance of death.