देवर्षिगन्धर्वसमाकुलं तत् सुपर्णनागासुरसिद्धजुष्टम् । दिव्येन गन्धेन समाकुलं च दिव्यैश्व पुष्पैरवकीर्यमाणम्,राजन्! उस समय वहाँका आकाश देवर्षियों तथा गन्धर्वोंसे खचाखच भरा था। सुपर्ण, नाग, असुर और सिद्धोंका समुदाय वहाँ जुट गया था। सब ओर दिव्य सुगन्ध व्याप्त हो रही थी और दिव्य पुष्पोंकी वर्षा की जा रही थी
devārṣi-gandharva-samākulaṃ tat suparṇa-nāgāsura-siddha-juṣṭam | divyena gandhena samākulaṃ ca divyaiś ca puṣpair avakīryamāṇam, rājan |
Sinabi ni Vaiśampāyana: “O Hari, nang panahong iyon ang langit doon ay siksik na napuno ng mga banal na rishi ng langit at mga Gandharva. Nagtipon din ang mga pangkat ng Suparṇa, Nāga, Asura, at Siddha. Lumaganap sa lahat ng dako ang samyo ng kalangitan, at bumuhos ang mga banal na bulaklak.”
वैशम्पायन उवाच
The verse highlights how momentous events in the epic are framed by auspicious, sacralized signs: the gathering of multiple orders of beings and the shower of divine flowers signal cosmic attention and moral weight, suggesting that actions undertaken in such a setting are not merely human but resonate across worlds.
Vaiśampāyana describes a grand celestial scene: the sky becomes crowded with divine seers and Gandharvas, along with Suparṇas, Nāgas, Asuras, and Siddhas; a heavenly fragrance spreads everywhere and divine flowers rain down, marking the occasion as extraordinary and ritually auspicious.