Shloka 28

पुष्पोत्करानिलविघूर्णितवारिरम्यं रम्यद्विरेफविनिपातितमञ्जुगुल्मम् गुल्मान्तरप्रसभभीतमृगीसमूहं वातेरितं तनुभृतामपवर्गदातृ

puṣpotkarānilavighūrṇitavāriramyaṃ ramyadvirephavinipātitamañjugulmam gulmāntaraprasabhabhītamṛgīsamūhaṃ vāteritaṃ tanubhṛtāmapavargadātṛ

O Tagapagkaloob ng paglaya sa mga may katawan (paśu): ang banal na kakahuyan ay gumaganda sa tubig na kumikislap at umuugoy sa simoy na may dalang bunton ng mga bulaklak; ang malalambot na palumpong ay lalo pang kaaya-aya kapag bumabagsak ang mga pulutong ng bubuyog; sa loob ng mga masukal, ang mga inahing usa ay nagugulat at nagkakawatak-watak sa takot—lahat ay ginagalaw ng hangin, samantalang Ikaw ang Pati na nagbibigay ng apavarga, pagkalagot sa pāśa ng saṁsāra.

पुष्पोत्कर (puṣpotkara)heaps/masses of flowers
पुष्पोत्कर (puṣpotkara):
अनिल (anila)breeze/wind
अनिल (anila):
विघूर्णित (vighūrṇita)whirled/ruffled into motion
विघूर्णित (vighūrṇita):
वारि (vāri)water
वारि (vāri):
रम्य (ramya)delightful/beautiful
रम्य (ramya):
द्विरेफ (dvirepha)bee
द्विरेफ (dvirepha):
विनिपातित (vinipātita)caused to alight/fall upon
विनिपातित (vinipātita):
मञ्जु (mañju)gentle/pleasant/tender
मञ्जु (mañju):
गुल्म (gulma)shrub/thicket
गुल्म (gulma):
गुल्मान्तर (gulmāntara)within/among the thickets
गुल्मान्तर (gulmāntara):
प्रसभ (prasabha)sudden/forceful
प्रसभ (prasabha):
भीत (bhīta)frightened
भीत (bhīta):
मृगी (mṛgī)doe/female deer
मृगी (mṛgī):
समूह (samūha)herd/group
समूह (samūha):
वातेरित (vāterita)impelled/stirred by the wind
वातेरित (vāterita):
तनुभृताम् (tanubhṛtām)of embodied beings
तनुभृताम् (tanubhṛtām):
अपवर्गदातृ (apavarga-dātṛ)giver of liberation/mokṣa
अपवर्गदातृ (apavarga-dātṛ):

Suta Goswami (narrating to the sages of Naimisharanya)

S
Shiva

FAQs

It frames the Shiva-kshetra as a living sign of the Linga’s sanctity: nature’s beauty becomes an offering-field, while Shiva is praised as apavarga-dātṛ—showing that true fruit of worship is moksha, not merely worldly merit.

Shiva is implied as Pati—the sovereign consciousness beyond the moving winds and changing scenery—who alone can cut the pāśa (bondage) of embodied pashus and grant apavarga (release).

Kshetra-smaraṇa and stuti (contemplative praise) are emphasized: seeing the sacred landscape as Shiva’s domain supports Pashupata-style vairāgya—remaining inwardly free while the senses encounter beauty.