Shloka 84

Adhyaya 8: Yogasthanas, Ashtanga Yoga, Pranayama-Siddhi, and Shiva-Dhyana leading to Samadhi

Devanagari script

नानापुष्पसमाकीर्णे वितानोपरि शोभिते फलपल्लवमूलाढ्ये कुशपुष्पसमन्विते

Transliteration

nānāpuṣpasamākīrṇe vitānopari śobhite phalapallavamūlāḍhye kuśapuṣpasamanvite

Translation

Ang pabilion sa itaas ay ginawang maringal, winisik ng sari-saring bulaklak—sagana sa mga bunga, malalambot na usbong at mga ugat—at nilagyan din ng damong kuśa at mga pamumulaklak. Sa gayon inihanda ang banal na dako para sa pagsamba sa Liṅga, tanda ni Pati (Śiva), na sa pamamagitan nito ang paśu (kaluluwang nakagapos) ay inaakay lampas sa pāśa (pagkagapos).

Word by Word

• nānā: many kinds

• puṣpa: flowers

• samākīrṇe: scattered/strewn all over

• vitāna: canopy/pavilion

• upari: above

• śobhite: shining/beautifully adorned

• phala: fruits

• pallava: tender shoots/leaf-buds

• mūla: roots

• āḍhye: abundant/rich

• kuśa: kuśa grass (ritual grass)

• puṣpa: flowers

• samanvite: accompanied/furnished with

Speaker

Suta Goswami (narrating the Linga-puja arrangement to the sages of Naimisharanya)

Characters & Entities

• Shiva

FAQs

What is the importance of this verse in the context of Linga worship?

It specifies the sanctification of the worship-space (vitāna/mandapa) with flowers, kuśa, and auspicious vegetation—external purity that supports inner steadiness for Linga-puja.

How does this verse describe the nature of Shiva (Shiva-tattva)?

By centering worship on the Linga within a ritually perfected space, it points to Śiva as Pati—transcendent yet approachable through symbol (liṅga) and disciplined reverence that loosens pāśa for the pashu.

What ritualistic or Yogic practice is highlighted here?

Puja-vidhi: preparing the mandapa/canopy with kuśa and flowers—an upacāra that aligns the practitioner’s mind for devotional concentration akin to Pāśupata-oriented discipline.