Shloka 49
Adhyaya 72 — Puradāha: Rudra’s Cosmic Chariot, Pāśupata-Vrata, and Brahmā’s Shiva-Stuti
भवो ऽप्यनेकैः कुसुमैर् गणेशं भक्ष्यैश् च भोज्यैः सुरसैः सुगन्धैः /* आलिङ्ग्य चाघ्राय सुतं तदानीमपूजयत्सर्वसुरेन्द्रमुख्यः
bhavo 'pyanekaiḥ kusumair gaṇeśaṃ bhakṣyaiś ca bhojyaiḥ surasaiḥ sugandhaiḥ /* āliṅgya cāghrāya sutaṃ tadānīmapūjayatsarvasurendramukhyaḥ
Pagkaraan, si Bhava (Śiva) ay sumamba rin kay Gaṇeśa sa pamamagitan ng maraming bulaklak at mababangong, masasarap na handog—mga meryenda at ganap na alay. Ang Kataas-taasang Panginoon, na pinagyuyukuran maging ng mga pinuno ng mga diyos, ay niyakap ang kanyang anak at inamoy ang tuktok ng ulo nito nang may pag-ibig, at noon din ay pinarangalan siya.
Suta Goswami (outer narration; verse describes Shiva’s action)
FAQs
It models pūjā as a complete Shaiva offering—flowers and naivedya—showing that devotion to Pati (Śiva) naturally includes honoring his śakti-lineage and his son Gaṇeśa, who removes pasha-like obstacles to worship.
Śiva is portrayed as the supreme Pati—revered above all surendras—yet simultaneously tender and immanent, embracing and blessing his son; this unites transcendence (aiśvarya) with compassionate intimacy (anugraha).
Pūjā-vidhi with upacāras—kusuma (flowers) and naivedya (bhakṣya/bhojya)—is highlighted, implying the Pāśupata spirit of disciplined devotion where the pashu approaches Pati through reverent, sensory-sacral offerings.