Adhyaya 72 — Puradāha: Rudra’s Cosmic Chariot, Pāśupata-Vrata, and Brahmā’s Shiva-Stuti
आवहाद्यास् तथा सप्त सोपानं हैममुत्तमम् सारथिर्भगवान्ब्रह्मा देवाभीषुधराः स्मृताः
āvahādyās tathā sapta sopānaṃ haimamuttamam sārathirbhagavānbrahmā devābhīṣudharāḥ smṛtāḥ
Gayundin, ang pitong banal na kapangyarihan na nagsisimula kay Āvahā ay kinikilala; at inilarawan din ang napakahusay na gintong hagdan (ng pag-akyat). Ang kutsero ay si Bhagavān Brahmā, at ang mga Deva ay inaalala bilang mga tagapagdala ng renda (mga sinag/bridle).
Suta Goswami (narrating the Purva-Bhaga account to the sages, preserving an internal cosmological description)
It frames worship as an ascent (sopāna) supported by divine functions—invocation, guidance, and cosmic order—ultimately directing the devotee (pashu) toward the Supreme Lord (Pati) symbolized by the Linga.
Though Shiva is not named here, the imagery implies a higher sovereignty: even Brahmā and the Devas operate as instruments (charioteer and reins) within a divinely governed ascent—consistent with Shaiva Siddhanta where all powers function under Pati’s supremacy.
The verse points to a stepwise discipline (sopāna)—a graded sādhanā akin to Pashupata-oriented ascent: invoking powers, steadying the ‘reins’ (senses/energies), and progressing toward liberation from pasha (bondage).