Adhyaya 70: आदिसर्गः—महत्-अहङ्कार-तन्मात्रा-भूतसृष्टिः, ब्रह्माण्डावरणम्, प्रजासर्गः, त्रिमूर्ति-शैवाधिष्ठानम्
त्रिगुणाद् रजसोद्रिक्ताद् अहङ्कारस्ततो ऽभवत् महता च वृतः सर्गो भूतादिर् बाह्यतस्तु सः
triguṇād rajasodriktād ahaṅkārastato 'bhavat mahatā ca vṛtaḥ sargo bhūtādir bāhyatastu saḥ
Mula sa Prakṛti na binubuo ng tatlong guṇa—kapag nanaig ang rajas—sumisibol ang ahaṅkāra, ang prinsipyong “ako”. Nababalutan ng Mahat, ang kosmikong talino, ang paglikhang umaagos palabas ay nagsisimula bilang bhūtādi, pinagmulan ng mga elemento.
Suta Goswami (narrating the cosmology of creation to the sages at Naimiṣāraṇya)
It explains the tattva-chain behind manifestation—how rajas-driven ahaṅkāra projects outward creation—so the devotee worships the Liṅga as Pati (Śiva) who stands beyond guṇas and grants release from the outward pull of pasha (bondage).
By detailing that creation proceeds through guṇas, Mahat, and ahaṅkāra, it implicitly distinguishes Śiva-tattva as the transcendent Lord (Pati) who is not a product of these evolutes, but the sovereign reality in whose presence the cosmos unfolds.
The yogic takeaway is guṇa-śamana and ahaṅkāra-kṣaya: Pāśupata-oriented discipline aims to turn the mind from outward (bāhya) projection toward inward recognition of Pati, supported in practice by Liṅga-pūjā, japa, and tattva-śuddhi.