वासिष्ठकथनम् (आदित्य–सोमवंशवर्णनम् तथा रुद्रसहस्रनाम-प्रशंसा)
आषाढश् च सुषाढश् च स्कन्धदो हरितो हरः वपुरावर्तमानो ऽन्यो वपुःश्रेष्ठो महावपुः
āṣāḍhaś ca suṣāḍhaś ca skandhado harito haraḥ vapurāvartamāno 'nyo vapuḥśreṣṭho mahāvapuḥ
Siya si Āṣāḍha at Suṣāḍha—matatag at lubos na matatag; tagapagkaloob ng lakas at sandigan; ang luntiang may kulay at si Hara, ang Tagapag-alis (ng mga gapos). Siya ang nagpapihit at nagpapabago sa mga katawan, nagiging “iba” sa pag-angkin ng sari-saring anyo; gayunman Siya ang Kataas-taasang Anyo—ang Panginoong may Dakilang Katawan na ang malawak na pagpapakita ay lumalaganap sa lahat.
Suta Goswami (narrating the Shiva Sahasranama to the sages at Naimisharanya)
By naming Shiva as vapuḥśreṣṭha and mahāvapuḥ, the verse frames the Linga as the supreme, formless-yet-all-form Reality (Pati) that supports and pervades every embodiment, making Linga-puja a direct approach to the highest Shiva-tattva.
Shiva is both the transcendent supreme form (vapuḥśreṣṭha) and the immanent power that assumes many forms (anyo) and governs embodiment and transformation (vapurāvartamāna), while also being Hara—the remover of pāśa that binds the pashu (soul).
The verse supports Pashupata-oriented contemplation: meditate on Shiva as the inner governor of bodily change and the remover (Hara) of bondage, aligning worship and yoga toward liberation of the pashu through surrender to Pati.