Bhūtavana–Kailāsa–Mandākinī–Rudrapurī: Śiva’s Jeweled Abodes and Perpetual Worship
जांबूनदमयैः पद्मैर् गन्धस्पर्शगुणान्वितैः नीलवैडूर्यपत्रैश् च गन्धोपेतैर्महोत्पलैः
jāṃbūnadamayaiḥ padmair gandhasparśaguṇānvitaiḥ nīlavaiḍūryapatraiś ca gandhopetairmahotpalaiḥ
May mga lotus na yari sa gintong Jāmbūnada, taglay ang bango at kaaya-ayang haplos; may mga talulot na tila bughaw na hiyas na vaidūrya; at may malalaking utpala na puspos ng samyo—(ito ang inihahandog). Ang ganitong kadakilaan ng alay ay iniuukol kay Pati, ang Panginoong nag-aalis ng tali ng mga paśu.
Suta Goswami (narrating to the sages of Naimisharanya)
It emphasizes offering the finest, pure, and fragrant substances—golden lotuses and gem-like petals—as a form of refined archana, where beauty and purity are directed to Shiva (Pati) to sanctify the worshipper (paśu).
By implying that the highest-quality offerings are oriented to Him, the verse presents Shiva as Pati—the supreme recipient of worship—whose grace transforms sensory qualities (gandha, sparśa) into means of purification and release from pāśa (bondage).
Puja-vidhi through sensory sanctification: using fragrance and touch (gandha-sparśa) in offerings as disciplined devotion, aligning the senses toward Shiva—supportive of Pāśupata-oriented inner purification.