क्षुपदधीचिसंवादः — शिलादतपः, वरसीमा, मेघवाहनकल्पे त्रिदेवसमागमः
जगदावासहृदयं ददर्श पुरुषं त्वजः अनन्तभोगशय्यायां शायिनं पङ्कजेक्षणम्
jagadāvāsahṛdayaṃ dadarśa puruṣaṃ tvajaḥ anantabhogaśayyāyāṃ śāyinaṃ paṅkajekṣaṇam
Pagkaraan, namasdan ng Di‑Ipinanganak (Aja) ang Kataas-taasang Purusha—ang panloob na Puso na kanlungan ng mga daigdig—na nakahimlay nang payapa sa higaan na hinubog ng mga likaw ni Ananta, may matang gaya ng lotus at tahimik. Sa pananaw na Śaiva, ipinahihiwatig nito si Pati bilang kamalayang nananahan sa loob (antarhṛdaya) na sumusuporta sa paglikha, samantalang ang nahahayag na anyong kosmiko ay tabing lamang sa Panginoong lampas sa lahat ng pāśa (pagkagapos).
Suta Goswami (narrating the Purana to the sages; internal scene describes Brahma’s vision)
It frames the Supreme as the inner Heart and support of all worlds; Linga worship mirrors this by focusing devotion on the formless support (Pati) behind cosmic forms, leading the pashu toward liberation from pasha.
Though the scene names the reclining cosmic Person, the Shaiva Siddhanta reading highlights the deeper principle: the Lord as antarhṛdaya—immanent consciousness sustaining creation—yet ultimately transcendent beyond the bonds that limit the soul.
Dhyāna (contemplative visualization): meditating on the Lord as the indwelling heart of the universe, a Pashupata-aligned inner practice that weakens pasha through steady awareness of Pati.