दारुवनलीला—नीललोहितपरीक्षा, ब्रह्मोपदेशः, अतिथिधर्मः, संन्यासक्रमः
धर्मो द्विजोत्तमो भूत्वा जगामाथ मुनेर्गृहम् तं दृष्ट्वा चार्चयामास सार्घ्याद्यैरनघा द्विजम्
dharmo dvijottamo bhūtvā jagāmātha munergṛham taṃ dṛṣṭvā cārcayāmāsa sārghyādyairanaghā dvijam
Si Dharma, na naging isang dakilang brāhmaṇa, ay nagtungo sa bahay ng muni. Pagkakita sa walang dungis na dvija, pinarangalan siya ng dalisay na babae sa pamamagitan ng arghya (tubig ng pagsalubong) at iba pang ritwal ng pagtanggap.
Suta Goswami (outer narration, describing the episode)
It establishes dharmic atithi-satkara (honoring a worthy guest with arghya and related offerings) as a foundational purity-practice that supports Shiva-puja; right conduct (dharma) becomes a preparatory “adhikara” for Linga worship and the reception of grace.
Indirectly: by showing Dharma personified and honored, the text signals that alignment with cosmic order is not separate from approaching Pati (Shiva). In Shaiva Siddhanta framing, dharmic discipline refines the pashu (soul) and loosens pasha (bondage), making the soul fit for Shiva’s anugraha.
Atithi-puja through arghya and customary reception-offerings—an external puja-vidhi that parallels inner yogic discipline (niyama/śauca), supporting a Pashupata-oriented life of purity, reverence, and right relationship.