Devas Praise Śiva; Gaṇeśa Manifests as Vighneśvara and Receives the Primacy of Worship
इति श्रीलिङ्गमहापुराणे पूर्वभागे देवस्तुतिर्नाम चतुरधिकशततमो ऽध्यायः सूत उवाच यदा स्थिताः सुरेश्वराः प्रणम्य चैवमीश्वरम् तदांबिकापतिर् भवः पिनाकधृङ् महेश्वरः
iti śrīliṅgamahāpurāṇe pūrvabhāge devastutirnāma caturadhikaśatatamo 'dhyāyaḥ sūta uvāca yadā sthitāḥ sureśvarāḥ praṇamya caivamīśvaram tadāṃbikāpatir bhavaḥ pinākadhṛṅ maheśvaraḥ
Kaya nga, sa Śrī Liṅga Mahāpurāṇa, sa Pūrvabhāga, nagsisimula ang ika-105 kabanata na tinatawag na “Himno ng mga Deva.” Sabi ni Sūta: Nang ang mga panginoon ng mga diyos ay tumindig at yumukod na may pagpupugay kay Īśvara sa ganitong paraan, noon ay nagpakita si Bhava—si Mahādeva, tagapagdala ng busog na Pināka, ang Pati ni Ambikā (Śakti)—bilang Kataas-taasang Pati na nagpapalaya sa paśu (kaluluwa) sa tali ng pāśa (pagkakagapos).
Suta
It frames the Devas’ reverent approach (praṇāma and stuti) as the doorway by which Īśvara becomes manifest—implying that humble devotion and recognition of Śiva as Pati are foundational to Liṅga-upāsanā.
Śiva is presented as Īśvara/Maheśvara—Bhava, the supreme Lord (Pati), inseparable from Śakti as Ambikāpati, and the One whose presence responds to the Devas’ surrender, indicating His sovereignty and grace.
Praṇāma (prostration) and stuti (hymnic praise) are highlighted as core devotional disciplines that align the paśu toward the Pati—serving as a preparatory limb for Śaiva worship and Pāśupata-oriented inner surrender.