Veṅkaṭācala Māhātmya: Bhakti-Lakṣaṇa, Nārasiṁha-tīrtha, and the Secret Darśana-Vidhi of Śrīnivāsa
स्त्रीरूपेभ्यो नमनं कार्यमेव ईशान कोणस्थदलेषु चैव / ईशाननारायणमाविरिञ्चवायुर्वियच्छेषसुरादिकानाम्
strīrūpebhyo namanaṃ kāryameva īśāna koṇasthadaleṣu caiva / īśānanārāyaṇamāviriñcavāyurviyaccheṣasurādikānām
Dapat at nararapat na magbigay-galang sa mga anyong babae; at gayundin sa mga nakahimpil sa mga talulot na nasa direksiyong Īśāna (hilagang-silangan): si Īśāna, Nārāyaṇa, Virin̄ci (Brahmā), Vāyu, Viyat (kalangitan/eter), Śeṣa, at iba pang mga deva.
Lord Vishnu (in discourse to Garuda/Vinata-putra)
Concept: Directional veneration integrates deva-tattvas (Īśāna, Nārāyaṇa, Brahmā, Vāyu) with elemental/space principle (Viyat), suggesting worship of both personal and cosmic aspects.
Vedantic Theme: Saguna-brahman approached through ordered manifestations; space (ākāśa/viyat) as a subtle pervasion pointing to the all-pervading Self.
Application: During japa/pūjā, visualize the north-east petal as luminous; offer namaskāra to Īśāna and the listed principles, cultivating purity and steadiness.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: mandala/lotus-seat (padma)
Related Themes: Garuda Purana 3.24.97-98 (other petals); Garuda Purana 3.24.100 (center placement)
The verse instructs that reverence (namana) to śakti/feminine manifestations is obligatory in the ritual sequence, affirming that divine power is honored alongside specific directional deities.
It maps a ritualized “lotus/mandala” layout by highlighting the Īśāna (north‑east) sector and naming the deities to be invoked there, indicating a structured, direction-based method of honoring divine presences.
In daily puja or remembrance, include respectful salutations to śakti (feminine divinity) and maintain a disciplined, ordered invocation—especially honoring the north‑east as a sacred direction for worship and contemplation.