तत्राकठोरशुककण्ठशिरीषपुष्पखद्योतपृष्ठचरशाद्वलशैवलानाम् / कल्हारशष्पकभुजङ्गभुजाञ्च पत्रप्राप्तत्विषो मरकताः शुभदा भवन्ति
tatrākaṭhoraśukakaṇṭhaśirīṣapuṣpakhadyotapṛṣṭhacaraśādvalaśaivalānām / kalhāraśaṣpakabhujaṅgabhujāñca patraprāptatviṣo marakatāḥ śubhadā bhavanti
Doon, ang mga esmeralda—may kislap na tulad ng malambot na lalamunan ng loro, ng bulaklak na śirīṣa, ng likod ng alitaptap, ng sariwang damo at lumot sa tubig, at ng ningning sa mga dahon ng lotus, sa murang usbong at sa talukbong ng ahas—ay itinuturing na mapalad at tagapagkaloob ng mabuting kapalaran.
Lord Viṣṇu (in dialogue with Garuḍa/Vinatā-putra)
Concept: Śubha-lakṣaṇa: recognizing auspicious qualities (guṇa) in substances and using them appropriately.
Vedantic Theme: Sattva-guṇa orientation—purity/clarity reflected in luminous green; external śubha as a support for inner śuddhi.
Application: Select emeralds with clear, vivid, nature-like green sheen as auspicious objects (e.g., for adornment, gifting, or ritual use), avoiding dull/impure stones.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: mine/quarry region
Related Themes: Garuda Purana 1.71 (gem/ākara section; marakata-lakṣaṇa and guṇa)
This verse treats emeralds as intrinsically auspicious, highlighting their pure, life-like green lustre through comparisons with sacred and natural forms, indicating their role as a favourable sign (śubha-lakṣaṇa).
While not describing afterlife punishments directly, it fits the Purana’s didactic style: teaching dharmic perception of sacred places and auspicious markers in the world, which supports right conduct and ritual sensibility.
Cultivate a dharmic sense of auspiciousness: value purity, harmony with nature, and symbolism in worship or temple culture—seeing “śubha” not as superstition but as training the mind toward sattva and ethical living.