Chandas-Nirṇaya: Āpīḍa to Gāthā—Pāda, Gaṇa, and Special Substitutions
(इति पदचतुरूर्ध्वप्रकरणम्) / सजौ सलौ च प्रथमे नसजा गो द्वितीयके / तृतीये भनभा गश्च चतुर्थे सजसा जगौ
(iti padacaturūrdhvaprakaraṇam) / sajau salau ca prathame nasajā go dvitīyake / tṛtīye bhanabhā gaśca caturthe sajasā jagau
(Sa gayon nagtatapos ang bahagi tungkol sa apat na (uri) ng ‘pada’ at sa pataas na pag-aayos.) Sa una ay may ‘sajau’ at ‘salau’; sa ikalawa, ‘nasajā’ at ‘go’; sa ikatlo, ‘bhanabhā’ at ‘ga’; at sa ikaapat, ‘sajasā’ at ‘jagau’.
Suta (narrator) / Purana compiler voice (instructional metrical note)
Concept: Mnemonic enumeration of gaṇa patterns across four arrangements; knowledge preserved through compact formulae.
Vedantic Theme: Śabda as carrier of knowledge; compression (saṅkṣepa) enabling faithful transmission.
Application: Use the listed gaṇa pairs per case as a mnemonic key when scanning or teaching the ‘pada-caturūrdhva’ arrangements.
Primary Rasa: shanta
Related Themes: Garuda Purana 1.211.1-3 (definitions leading to this summary); Garuda Purana 1.211.5 (additional patterns ‘Saurabhaka’, ‘Lalita’)
This verse functions as a technical summary (colophon-style) listing mnemonic pattern-names used to classify verse-structure; it helps preserve correct recitation and textual transmission.
It does not describe afterlife doctrine directly; it is a prosodic/structural note about how the text’s verses are organized or recited.
Use it as a guide for accurate chanting and study—maintaining correct meter and pronunciation supports faithful learning, recitation, and archiving of Garuda Purana passages.