Shloka 35
Sāṅkhya: Categories of the Absolute Truth and the Unfolding of Creation
Tattva-vicāra
नभस: शब्दतन्मात्रात्कालगत्या विकुर्वत: । स्पर्शोऽभवत्ततो वायुस्त्वक्स्पर्शस्य च संग्रह: ॥ ३५ ॥
nabhasaḥ śabda-tanmātrāt kāla-gatyā vikurvataḥ sparśo ’bhavat tato vāyus tvak sparśasya ca saṅgrahaḥ
Mula sa ākāśa na umusbong sa tunog, sa udyok ng panahon ay naganap ang susunod na pagbabago: lumitaw ang tanmātra ng haplos; mula rito sumibol ang hangin (vāyu) at ang pandamang balat na tumatanggap ng haplos.
In the course of time, when the subtle forms are transformed into gross forms, they become the objects of touch. The objects of touch and the tactile sense also develop after this evolution in time. Sound is the first sense object to exhibit material existence, and from the perception of sound, touch perception evolves, and from touch perception, the perception of sight. That is the way of the gradual evolution of our perceptive objects.
FAQs
This verse explains that when ether (ākāśa), whose subtle essence is sound, transforms under the influence of time, the quality of touch manifests; from that touch, air (vāyu) is produced.
Kapila teaches Devahuti Sāṅkhya—an analysis of matter and spirit—by explaining the step-by-step evolution of subtle qualities (tanmātras), gross elements, and sense organs, helping her detach from material identification and turn toward liberation.
Seeing the senses as instruments shaped by material nature helps cultivate detachment—use touch and other sensations consciously, avoid impulsive sense-gratification, and redirect attention toward bhakti and self-realization.