Pracetās, Māriṣā, Dakṣa’s Re-manifestation, and the Brahma-parastava; Cyclic Creation and Genealogies
तत्रैकाग्रमतिर् भूत्वा चकाराराधनं हरेः ब्रह्मपारमयं कुर्वञ् जपम् एकाग्रमानसः ऊर्ध्वबाहुर् महायोगी स्थित्वासौ भूपनन्दनाः
tatraikāgramatir bhūtvā cakārārādhanaṃ hareḥ brahmapāramayaṃ kurvañ japam ekāgramānasaḥ ūrdhvabāhur mahāyogī sthitvāsau bhūpanandanāḥ
ณ ที่นั้น เมื่อจิตตั้งมั่นเป็นหนึ่งเดียว โอรสแห่งกษัตริย์ได้เริ่มบูชาพระหริ ด้วยสมาธิไม่หวั่นไหว เขากระทำชปะที่มุ่งสู่พรหมันสูงสุด; และราชกุมารนั้น—เป็นมหาโยคี—ยืนมั่นด้วยแขนชูขึ้นสูง ซื่อตรงต่อปณิธาน
Sage Parāśara (narrating to Maitreya)
Speaker: Parasara
Topic: How Kaṇḍu worshipped Hari through concentrated japa aimed at the Supreme Brahman
Teaching: Devotional
Quality: authoritative
Concept: Single-minded worship of Hari through japa directed to the Supreme Brahman is a direct means to spiritual perfection.
Vedantic Theme: Moksha
Application: Adopt a daily japa discipline with ekāgratā (single-tasking, fixed time/place), treating the mantra as personal approach to the Supreme Person rather than as mere mental repetition.
Vishishtadvaita: The verse fuses ‘Brahman’ with ‘Hari/Keśava’—a hallmark of Vaiṣṇava Vedānta where Brahman is the personal Viṣṇu, the ultimate cause and goal.
Vishnu Form: Hari
Bhakti Type: shanta
Jagat Karana: Yes
The verse presents ekāgratā as the inner condition that makes worship effective—Dhruva’s mind is gathered into a single focus on Hari, turning devotion into a direct yogic means of realization.
Parāśara describes Dhruva’s japa as “brahma-pāramaya”—oriented to the Supreme Brahman—showing that repeating the divine name/mantra is not merely ritual, but a contemplative practice aimed at the highest reality identified with Vishnu.
Hari is presented as the Supreme Brahman who is approached through devotion and yogic discipline; the verse aligns bhakti and yoga by making Vishnu the ultimate object and goal of meditation.