Vamana Purana — Birth of Skanda (Kartikeya), Shloka 21

The Birth and Consecration of Skanda (Kartikeya) at Kurukshetra

Devanagari script

उत्तानशायी भगवान् दिव्ये शरवणे स्थितः मुखे ऽङ्गुष्ठं समाक्षिप्य रुरोद घनराडिव

Transliteration

uttānaśāyī bhagavān divye śaravaṇe sthitaḥ mukhe 'ṅguṣṭhaṃ samākṣipya ruroda ghanarāḍiva

Translation

{"avatara_relevance": false, "avatara_stage": null, "dwarf_form_active": false, "trivikrama_form_active": false, "bali_interaction": null, "divine_purpose": null, "aditi_kashyapa_context": null}

Speakers

• Narrator (Purāṇic voice) depicting the newborn’s divine yet childlike behavior

Primary Deities

• Shiva (Śarva)

Key Themes

• Divinity expressed through human-like infancy
• Auspicious omens (cloud-rumble cry)
• Sacred grove as stage for revelation
• Interplay of tenderness and cosmic power

Verse Rasa (Emotional Flavour)

{ "primaryRasa": "karuna", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Why call an infant ‘Bhagavān’ while describing ordinary baby behavior (thumb-sucking, crying)?

Purāṇas often juxtapose the mundane and the cosmic to signal ‘līlā’ (divine play): the being is supreme, yet manifests infancy to participate in the world’s narrative and to evoke devotion.

What is the significance of the ‘cloud-rumble’ simile for the cry?

Cloud-rumble suggests a portentous, world-resonant sound—linking the infant’s voice to atmospheric/cosmic phenomena. It also matches the earlier emphasis on tejas and radiance: nature itself responds to the divine presence.

Does ‘uttānaśāyī’ have theological resonance beyond posture?

Primarily it is descriptive (lying supine), but in Purāṇic aesthetics it can echo iconographic and devotional motifs where the divine is seen at rest within a sanctified space—here, the ‘divine Śaravaṇa’ functioning as a consecrated cradle-landscape.