Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)
ते ऽप्याजग्मुर्महावेगात् त्वाक्रम्य मरुदालयम् आसाद्य मन्दरगिरिं भूयो ऽवन्दन्त शङ्करम्
te 'pyājagmurmahāvegāt tvākramya marudālayam āsādya mandaragiriṃ bhūyo 'vandanta śaṅkaram
พวกเขาเองก็ออกเดินทางด้วยความเร็วใหญ่ยิ่ง ข้ามแดนที่สถิตของเหล่ามรุต แล้วไปถึงเขามันทรา จากนั้นก็นอบน้อมบูชาพระศังกร (พระศิวะ) อีกครั้ง
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Devotion is shown as continuous rather than one-time: even after travel and transitions, returning to worship (‘bhūyaḥ’) models steadiness (niṣṭhā) and gratitude.
Primarily Vamśānucarita / narrative itinerary—events and movements of characters; secondarily contributes to tīrtha-mahātmya-style texture by naming a sacred mountain.
Crossing ‘Marudālaya’ suggests passage through celestial/elemental domains; reaching Mandara and bowing again indicates the axis-mountain motif where divine presence is re-encountered and reaffirmed through worship.