HomeVamana PuranaAdh. 57Shloka 65
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Shloka 65

Prahlada's Tirtha CircuitPrahlada’s Pilgrimage Circuit: Tirtha-Mahatmya from Naimisha to Rudrakoti and Shalagrama

शशिप्रभं देववरं त्रिनेत्रं संपूजयित्वा सह वै मृडान्या जगाम तीर्थप्रवरं महाख्यं तस्मिन् महादेवमपूजयत्

śaśiprabhaṃ devavaraṃ trinetraṃ saṃpūjayitvā saha vai mṛḍānyā jagāma tīrthapravaraṃ mahākhyaṃ tasmin mahādevamapūjayat

ครั้นบูชาพระผู้ประเสริฐผู้มีสามเนตร ผู้รุ่งเรืองดุจแสงจันทร์ พร้อมด้วยพระมฤฑานีแล้ว เขาไปยังทีรถะอันยอดเยี่ยมชื่อมหาขยะ และที่นั่นได้บูชาพระมหาเทวะ

Narratorial voice within the Adhyaya’s itinerary
Shiva (Mahādeva/Trinetra)Parvati (Mṛḍānī)
Supremacy of tīrtha (tīrthapravaratva)Śiva-Śakti togetherness (saha mṛḍānyā)Merit through pūjā at named sacred sitesPilgrimage cartography within the Purāṇa

{ "primaryRasa": "shanta", "secondaryRasa": "bhakti", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

A named tīrtha functions as a cartographic anchor: it marks a specific node in the sacred landscape, often associated with a distinctive ritual, vow, or mythic event. ‘Mahākhya’ (‘greatly renowned/named’) signals exceptional sanctity and likely a well-known local cult-site in the chapter’s broader map.

Mentioning Mṛḍānī emphasizes Śiva’s inseparability from Śakti in tīrtha theology: pilgrimage merit is framed as devotion to the divine couple, and the site’s power is implicitly Śiva-Śakti integrated rather than exclusively Śaiva in isolation.

It is poetic but also iconographically suggestive: Śiva is frequently associated with the moon (candra) on his matted hair. ‘Moon-radiant’ can evoke both his luminous auspiciousness and the candra-symbol in his depiction.