HomeVamana PuranaAdh. 6Shloka 35
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Vamana Purana — Nara-Narayana's Tapas, Shloka 35

Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode

ध्यात्वा क्षणं प्रस्वपिति क्षणं स्वप्नायते हरः स्वप्ने तथेदं गदति तां दृष्ट्वा दक्षकन्यकाम्

dhyātvā kṣaṇaṃ prasvapiti kṣaṇaṃ svapnāyate haraḥ svapne tathedaṃ gadati tāṃ dṛṣṭvā dakṣakanyakām

ครั้นเพ่งพินิจชั่วขณะ หระก็หลับไปชั่วครู่และเข้าสู่ความฝัน; ในความฝันนั้นเมื่อเห็นธิดาทักษะแล้ว จึงกล่าวดังนี้।

ध्यात्वाhaving meditated
ध्यात्वा:
पूर्वक्रिया (prior action)
TypeVerb
Rootध्यै (धातु)
Formक्त्वा-प्रत्ययान्त अव्ययकृदन्त (gerund/absolutive), पूर्वकाल (having done)
क्षणम्for a moment
क्षणम्:
कालाधिकरण (temporal)
TypeNoun
Rootक्षण (प्रातिपदिक)
Formद्वितीया, एकवचन; काल-परिमाणार्थे
प्रस्वपितिfalls asleep
प्रस्वपिति:
क्रिया (action)
TypeVerb
Rootप्र-स्वप् (धातु)
Formलट्-लकार, प्रथम-पुरुष, एकवचन; परस्मैपद
क्षणम्for a moment
क्षणम्:
कालाधिकरण (temporal)
TypeNoun
Rootक्षण (प्रातिपदिक)
Formद्वितीया, एकवचन; काल-परिमाणार्थे
स्वप्नायतेdreams
स्वप्नायते:
क्रिया (action)
TypeVerb
Rootस्वप्नाय् (धातु)
Formलट्-लकार, प्रथम-पुरुष, एकवचन; आत्मनेपद (denominative from स्वप्न)
हरःHara (Śiva)
हरः:
कर्ता (Karta/subject)
TypeNoun
Rootहर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
स्वप्नेin a dream
स्वप्ने:
अधिकरण (Adhikaraṇa/Locative)
TypeNoun
Rootस्वप्न (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति, एकवचन
तथाthus/so
तथा:
क्रियाविशेषण (adverbial)
TypeIndeclinable
Rootतथा (अव्यय)
Formरीति/प्रकार-अव्यय (adverb: ‘thus/so’)
इदम्this (speech/words)
इदम्:
कर्म (Karma/object of गदति)
TypeNoun
Rootइदम् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; सर्वनाम
गदतिsays/utters
गदति:
क्रिया (action)
TypeVerb
Rootगद् (धातु)
Formलट्-लकार, प्रथम-पुरुष, एकवचन; परस्मैपद
ताम्to/that (her)
ताम्:
कर्म (Karma/object; addressee/that woman)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन; सर्वनाम
दृष्ट्वाhaving seen
दृष्ट्वा:
पूर्वक्रिया (prior action)
TypeVerb
Rootदृश् (धातु)
Formक्त्वा-प्रत्ययान्त अव्ययकृदन्त (gerund), पूर्वकाल
दक्षकन्यकाम्the maiden, Dakṣa’s daughter
दक्षकन्यकाम्:
कर्म (Karma/object of दृष्ट्वा)
TypeNoun
Rootदक्षकन्यका (प्रातिपदिक)
Formतत्पुरुष-समास (दक्षस्य कन्यका); स्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन
Narrator (frame speaker not explicit in given excerpt; likely within Pulastya–Nārada narrative layer)
Shiva (Hara)Sati (Daksha’s daughter)
ShaivismDomestic dharmaEmotion and reconciliationDream as narrative device

{ "primaryRasa": "adbhuta", "secondaryRasa": "karuna", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Even exalted beings are portrayed as engaging with human-like emotions; the ethical emphasis is on restraint, reconciliation, and restoring harmony rather than escalating conflict.

This is best categorized under Vamśānucarita/Carita-style narrative material (episodes about divine and semi-divine personages), rather than sarga/pratisarga or manvantara lists.

The dream-frame externalizes inner turmoil: Śiva’s brief sleep becomes a literary space where suppressed longing and reproach can be voiced, setting up a movement from separation to possible reunion.