Shloka 25

Origins of the Maruts — Across the Manvantaras

Devanagari script

तस्य पुत्राभवन् सप्त सप्तार्च्चिःप्रतिमा मुने तपोर्ऽथं ते गताः शैलं महामेरुं नरेश्वराः

Transliteration

tasya putrābhavan sapta saptārcciḥpratimā mune tapor'thaṃ te gatāḥ śailaṃ mahāmeruṃ nareśvarāḥ

Translation

ดูก่อนมุนี เขามีโอรสเจ็ดองค์ ดุจสัปตารจิ—เปลวเพลิงทั้งเจ็ด เพื่อบำเพ็ญตบะ โอรสกษัตริย์เหล่านั้นจึงไปยังภูเขามหามेरุ

Speakers

• Narrator (unnamed in the excerpt) addressing a sage (mune)
• within the ongoing Adhyaya 46 dialogue frame

Key Themes

• Tapas (austerity) as a means to attain divine status
• Royal asceticism (kṣatriya tapas)
• Vedic imagery (seven flames / sevenfold radiance)

Verse Rasa (Emotional Flavour)

{ "primaryRasa": "vira", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

What does “saptārciḥpratimāḥ” imply in a Purāṇic context?

It evokes the Vedic motif of seven flames or sevenfold fire/radiance, suggesting the sons possess a sacral brilliance or ritual potency. In Purāṇic narration, such epithets often mark characters destined for tapas and divine attainment.

Why is Mahāmeru chosen as the site of austerity?

Meru is both cosmographic axis and sacred geography: a paradigmatic locus where tapas is believed to yield swift results. Purāṇas repeatedly place transformative ascetic acts on Meru to signal proximity to divine realms.

Are these “nareśvarāḥ” literal kings or simply princely figures?

The term can denote kings broadly, but in context it commonly indicates royal sons/princes. The emphasis is on their kṣatriya status renouncing comfort for tapas.