Soma Pavamāna’s self-purification and enthronement in ṛta through the waters and the filter (pavitra), yielding wealth and ritual power
पुनानः सोम धारयापो वसानो अर्षसि आ रत्नधा योनिमृतस्य सीदस्युत्सो देवो हिरण्ययः
punānaḥ soma dhārayāpo vasāno arṣasi ā ratnadhā yonimṛtasya sīdasyutso devo hiraṇyayaḥ
punānaḥ2 soma1 dhārayā2 apo1 vasānaḥ2 arṣasi2 ā1 ratnadhāḥ2 yonim1 ṛtasya2 sīdasi2 utso1 devo1 hiraṇyayaḥ2
โอ โสมะ (Soma) ผู้ชำระตนด้วยสายธารของตน สวมสายน้ำเป็นอาภรณ์แล้วไหลไป; ผู้ประทานรัตนะ เจ้านั่งลงในภาชนะของ ṛta ในครรภ์แห่งอมฤตะ; เจ้าเป็นบ่อพุแห่งเทพ อันเป็นทองคำ.
punānaḥ | somaḥ | dhārayā | apaḥ | vasānaḥ | arṣasi | ā | ratna-dhāḥ | yonim | ṛtasya | sīdasi | utsaḥ | devaḥ | hiraṇyayaḥ
Pavamāna (generic; specific Sāman name not determinable from input alone)
{ "prastava": "(Typical Pavamāna prastāva uses stobha-led onset; exact text depends on gāna tradition.)", "udgitha": "punānaḥ soma dhārayāpo vasāno arṣasi…", "pratihara": "(Responsive reprise/answering segment aligned to the same melodic skeleton.)", "upadrava": "…ā ratnadhā yonimṛtasya sīdasi…", "nidhana": "…utso devo hiraṇyayaḥ", "structure_notes": "Kauthuma performance often expands key words (punānaḥ, dhārā, ṛtasya, utsaḥ) with prolongations and stobha insertions depending on the assigned sāman.", "singer_assignments": "Prastotṛ: prastāva; Udgātṛ: udgītha + upadrava; Pratihartṛ: pratihāra; all: nidhana (with supporting hum/nyāsa as per śākhā practice)." }
{ "gloss_summary": "Soma, being purified, flows with his stream; ‘clothing with waters’ indicates admixture/sprinkling during purification; ‘womb of ṛta’ is the properly prepared seat/vessel conforming to ritual order; ‘ratnadhāḥ’ is giver of riches/dakṣiṇā-fruit.", "ritual_interpretation": "Directly tied to pavamāna processing: washing, filtering, seating Soma in the camū/kośa in accordance with vidhi (ṛta).", "theological_insight": "Divinity is manifested through ordered process: when Soma conforms to ṛta, he becomes the luminous source that sustains gods and sacrificer alike.", "etymology_highlights": "ratnadhāḥ as ‘ratnaṃ dhatte’ (bestows valuables); yoni as ādhāra/āśraya (support/seat); hiraṇyaya as śuddha-tejas (pure brilliance)." }