HomeRamayanaYuddha KandaSarga 4Shloka 81
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Shloka 81

समुद्रतट-प्रयाणम् तथा वेलावन-निवेशः

March to the Seacoast and Encampment at the Shore

गिरिप्रस्थेषु रम्येषु सर्वत सम्प्र पुष्पिताः । केतकस्सिन्दुवाराश्च वासन्त्यश्च मनोरमाः ।।6.4.79।। माधव्यो गन्धपूर्णाश्च कुन्दगुल्माश्च पुष्पिताः ।चिरिबिल्वा मधूकाश्च वञ्जुला प्रियकास्तथा ।।6.4.80।।सुफूर्जकास्तिलकाश्चैव नागवृक्षाश्च पुष्पिताः ।चूताः पाटलयकाश्चैव कोविदाराश्च पुष्पिताः ।।6.4.81।। मुचुलिन्दार्जुनाश्चैव शिंशुपाः कुटजास्तथा । धवा श्शाल्मलयश्चैव रक्ता: कुरवकास्तथा ।।6.4.82।। हिन्तालास्तिनिशाश्चैव चूर्णका नीपकास्तथा ।नीलाशोकाश्च वरणा अङ्कोलाः पद्मकास्तथा ।।6.4.83।। प्लवमानै: प्लवंगैस्तु सर्वे पर्याकुलीकृतां ।।6.4.84।।

suphūrjakās tilakāś caiva nāgavṛkṣāś ca puṣpitāḥ |

cūtāḥ pāṭalayakāś caiva kovidārāś ca puṣpitāḥ ||6.4.81||

บนไหล่เขาอันงดงามนั้น ต้นสุภูรชกะและต้นติลกะ รวมทั้งต้นนาคะ ต่างยืนเด่นบานเต็มที่ และต้นมะม่วง ต้นปาฏลา กับต้นโกวิทาระ ก็ล้วนผลิดอกพร้อมกัน

सुफूर्जकाःsuphūrjaka trees (a kind of tree)
सुफूर्जकाः:
कर्ता (सूची/उद्देश्य-निर्देशः)
TypeNoun
Rootसुफूर्जक (प्रातिपदिक)
Formपुंलिङ्गः, प्रथमा-विभक्तिः, बहुवचनम् (Masculine, Nominative, Plural)
तिलकाःtilaka trees
तिलकाः:
कर्ता (सूची/उद्देश्य-निर्देशः)
TypeNoun
Rootतिलक (प्रातिपदिक)
Formपुंलिङ्गः, प्रथमा-विभक्तिः, बहुवचनम् (Masculine, Nominative, Plural)
and
:
समुच्चय (coordination)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्ययम् (conjunction: 'and')
एवindeed/also
एव:
अवधारण (emphasis)
TypeIndeclinable
Rootएव (अव्यय)
Formअवधारण-अव्ययम् (particle of emphasis: 'indeed/just')
नागवृक्षाःnāga-trees (naga trees)
नागवृक्षाः:
कर्ता (सूची/उद्देश्य-निर्देशः)
TypeNoun
Rootनाग + वृक्ष (प्रातिपदिक)
Formपुंलिङ्गः, प्रथमा-विभक्तिः, बहुवचनम् (Masculine, Nominative, Plural)
and
:
समुच्चय (coordination)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्ययम् (conjunction)
पुष्पिताःin bloom / blossomed
पुष्पिताः:
कर्तृ-विशेषणम् (predicate adjective of the listed trees)
TypeAdjective
Rootपुष्पित (कृदन्त; √पुष्प्/पुष्प् धातु)
Formभूतकृदन्त-विशेषणम् (past participle used adjectivally); पुंलिङ्गः, प्रथमा-विभक्तिः, बहुवचनम् (Masculine, Nominative, Plural)
चूताःmango trees
चूताः:
कर्ता (सूची/उद्देश्य-निर्देशः)
TypeNoun
Rootचूत (प्रातिपदिक)
Formपुंलिङ्गः, प्रथमा-विभक्तिः, बहुवचनम् (Masculine, Nominative, Plural)
पाटलयकाःpāṭalayaka trees (a kind of tree)
पाटलयकाः:
कर्ता (सूची/उद्देश्य-निर्देशः)
TypeNoun
Rootपाटलयक (प्रातिपदिक)
Formपुंलिङ्गः, प्रथमा-विभक्तिः, बहुवचनम् (Masculine, Nominative, Plural)
and
:
समुच्चय (coordination)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्ययम् (conjunction)
एवindeed/also
एव:
अवधारण (emphasis)
TypeIndeclinable
Rootएव (अव्यय)
Formअवधारण-अव्ययम् (emphasis)
कोविदाराःkovidāra trees
कोविदाराः:
कर्ता (सूची/उद्देश्य-निर्देशः)
TypeNoun
Rootकोविदार (प्रातिपदिक)
Formपुंलिङ्गः, प्रथमा-विभक्तिः, बहुवचनम् (Masculine, Nominative, Plural)
and
:
समुच्चय (coordination)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्ययम् (conjunction)
पुष्पिताःin bloom / blossomed
पुष्पिताः:
कर्तृ-विशेषणम् (predicate adjective of the listed trees)
TypeAdjective
Rootपुष्पित (कृदन्त; √पुष्प्/पुष्प् धातु)
Formभूतकृदन्त-विशेषणम् (past participle used adjectivally); पुंलिङ्गः, प्रथमा-विभक्तिः, बहुवचनम् (Masculine, Nominative, Plural)

In the mountain ranges were well blossomed trees such as Kethaka, Sinduvaara and Mango trees Manorama, Madhavi, Kunda, Gulma creepers filled with blossoms of fragrance Chiribilva, Madhuka like wild trees,Vajula,Vakula ,Ranjaka, Tilaka,Kuruvaka, Naga trees Patalaya trees trees with red flowers Arjuna, Simsupa trees with white flowers Kutaja, Dhava and Salmala, Red Kurana, Hinthala,Tinisa,and Churanaka trees, so also dark flowered Asoka trees, Pine trees, Ankola and Padmaka trees were convenient for the monkeys to shake and jump.

G
giriprastha (mountain-slopes)
T
tilaka
N
nāgavṛkṣa
C
cūta (mango)
K
kovidāra

FAQs

The verse supports Dharma indirectly by portraying an ordered, flourishing natural world—an auspicious setting that frames righteous action. In the Ramayana, harmony in nature often mirrors the moral order (dharma) that the protagonists seek to restore.

As the forces move through mountainous terrain in Yuddhakāṇḍa, the poet describes the landscape—trees and creepers in abundant bloom—before shifting to the vānaras’ activities in the surrounding verses.

Not a direct virtue statement, but it reinforces steadiness and auspicious momentum for the righteous campaign—suggesting confidence and moral clarity as the army proceeds.