Shloka 26
Determination of the Householder’s Dharma
Dāna: Types, Recipients, Timing, and Fruits
जन्मप्रभृति यत्पापं सर्वं तरति वै द्विजः । अमावास्यामनुप्राप्य ब्राह्मणाय तपस्विने
janmaprabhṛti yatpāpaṃ sarvaṃ tarati vai dvijaḥ | amāvāsyāmanuprāpya brāhmaṇāya tapasvine
บาปทั้งปวงที่ทวิชะสั่งสมมาตั้งแต่กำเนิด ย่อมข้ามพ้นได้โดยแท้ เมื่อถึงวันอมาวาสยา เขาเข้าไปหาพราหมณ์ผู้บำเพ็ญตบะแล้วถวายทาน
Unspecified (context-dependent within Svarga-khaṇḍa narration)
Concept: Sincere approach (upagamana) to a tapasvī brāhmaṇa on amāvāsyā with offering/charity can cleanse accumulated sin from birth—emphasizing humility and timely restitution.
Application: Use new-moon as a monthly reset: reflect, confess inwardly, give to a disciplined teacher/charitable cause, and set a vow for the coming month (truthfulness, non-harm, japa).
Primary Rasa: shanta
Secondary Rasa: karuna
Visual Art Cues: {"scene_description":"On a dark, star-pricked amāvāsyā evening, a devotee walks with a small lamp toward a hut where an austere brāhmaṇa sits in meditation, surrounded by simple water-pot and scriptures. The devotee kneels and offers a modest gift with bowed head; the darkness feels cleansing rather than fearful, as if the month’s slate is being wiped clean.","primary_figures":["twice-born devotee","tapasvī brāhmaṇa (austere sage)"],"setting":"Forest-edge hermitage or quiet village outskirts; minimal objects: lamp, water-pot, palm-leaf manuscripts, kusa mat.","lighting_mood":"moonless night with lamp-glow","color_palette":["lamp saffron","midnight blue","charcoal black","earth brown","soft ivory"],"tanjore_prompt":"Tanjore painting style: amāvāsyā night scene with deep blue-black background, a glowing oil lamp rendered with gold leaf, devotee offering gifts to a meditating tapasvī brāhmaṇa, ornate frame and subtle gold highlights on vessels and halo-like lamp aura, rich reds and greens in border motifs.","pahari_prompt":"Pahari miniature style: quiet nocturne with delicate lamp light, sparse hermitage details, refined facial expressions of humility and serenity, cool night palette with warm lamp center, fine linework on manuscripts and grass mat.","kerala_mural_prompt":"Kerala mural style: iconic hermitage composition with bold outlines, warm lamp circle illuminating the two figures, earthy pigments, stylized trees, the tapasvī’s calm gaze and seated posture emphasized, minimal yet powerful symbolism.","pichwai_prompt":"Pichwai cloth painting style: dark ground with intricate floral border, central lamp-lit offering scene, stylized vines and lotuses framing the hermitage, gold detailing on the lamp and offering bundle, symmetrical devotional composition."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"serene","sound_elements":["night insects","soft lamp crackle","distant temple bell","gentle wind in leaves","silence between phrases"]}
Sandhi Resolution Notes: janmaprabhṛti = janma + prabhṛti (avyayībhāva). yatpāpaṃ = yat + pāpam. amāvāsyāmanuprāpya = amāvāsyām + anuprāpya.
FAQs
It recommends approaching an austere Brahmin on Amāvāsyā (new-moon day) and making a meritorious offering/act of giving, which is said to help one cross over sins accumulated since birth.
‘Dvija’ literally means “twice-born” and commonly refers to members of the three varṇas eligible for Vedic initiation—Brahmins, Kshatriyas, and Vaishyas.
It emphasizes humility and moral reform through reverence for spiritual discipline (tapas) and the purifying power of timely generosity (dāna) performed on sacred calendrical occasions.