Shloka 65
Tīrtha-Māhātmya of the Sarasvatī Region and the Praise of Kurukṣetra
Pilgrimage Merits
पावनं तीर्थमासाद्य तर्पयेत्पितृदेवताः । अग्निष्टोमस्य यज्ञस्य फलमाप्नोति भारत
pāvanaṃ tīrthamāsādya tarpayetpitṛdevatāḥ | agniṣṭomasya yajñasya phalamāpnoti bhārata
ข้าแต่ภารตะ เมื่อถึงทีรถะอันชำระให้บริสุทธิ์แล้ว พึงถวายตัรปณะ (น้ำบูชา) แด่เทพบรรพชน ด้วยการนั้นย่อมได้ผลบุญเสมอการประกอบยัญญะอัคนิษโฏมะ
Unspecified (narratorial instruction addressing 'Bhārata')
Concept: Tīrtha-sevā and pitṛ-tarpaṇa can confer the same puṇya as major śrauta sacrifices, emphasizing intention, purity, and sacred geography over costly ritual apparatus.
Application: Perform śrāddha/tarpaṇa with sincerity when visiting sacred waters; remember ancestors, offer water with mantra, and cultivate gratitude and continuity of dharma.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: tirtha
Visual Art Cues: {"scene_description":"On a quiet riverbank tīrtha at dawn, a pilgrim stands waist-deep in shimmering water, palms cupped as he offers tarpaṇa; faint ancestral silhouettes appear like soft light behind him, receiving the libations. In the distance, a small shrine and sacrificial fire-altar motif subtly allude to Agniṣṭoma, suggesting that the tīrtha itself becomes the yajña-field.","primary_figures":["pilgrim (Bhārata/kingly devotee archetype)","pitṛs (ancestral deities as luminous forms)","Agni (symbolic presence via altar/flame)"],"setting":"sacred ford with stone steps, kusa grass, a small shrine, and a calm current; ritual vessels (kamaṇḍalu, copper lota) placed on a cloth","lighting_mood":"golden dawn","color_palette":["river-silver","saffron","lotus pink","sandstone beige","smoke-gray"],"tanjore_prompt":"Tanjore painting style: a serene tīrtha ghat at sunrise with a devotee offering tarpaṇa, pitṛs as haloed translucent figures above the water, a small Agni altar motif in the background; heavy gold leaf halos, rich vermilion and emerald borders, gem-studded ornaments on the shrine, crisp South Indian iconographic symmetry.","pahari_prompt":"Pahari miniature style: delicate riverbank scene with a lone pilgrim in pale garments offering water, misty dawn hills and soft trees, pitṛs suggested as faint cloud-forms; cool washes, lyrical naturalism, refined faces, thin ink outlines, gentle ripples and birds near the ford.","kerala_mural_prompt":"Kerala mural style: bold outlined devotee at the ghat with stylized water patterns, pitṛs as large-eyed luminous beings in the upper register, a small flame altar emblem; natural pigment reds/yellows/greens, temple-wall composition, ornamental borders and lotus medallions.","pichwai_prompt":"Pichwai cloth painting style: tīrtha ghat framed by intricate floral borders and lotus motifs, water rendered in patterned blues, pitṛs as golden aura-forms, a small shrine with hanging bells; deep indigo and gold detailing, peacocks on the steps, devotional symmetry."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["flowing water","soft temple bells","distant conch shell","morning birds","ritual water pour"]}
Sandhi Resolution Notes: तीर्थमासाद्य = तीर्थम् + आसाद्य; तर्पयेत्पितृदेवताः = तर्पयेत् + पितृदेवताः (त् + प → त्प); फलमाप्नोति = फलम् + आप्नोति (म् + आ → मा).
FAQs
The verse recommends performing pitṛ-tarpaṇa—offering libations to the ancestral deities—upon reaching a purifying sacred place (tīrtha).
It states that the practitioner gains the fruit (phala) of the Agniṣṭoma sacrifice, a major Vedic soma-yajña, indicating very high ritual merit.
It emphasizes gratitude and duty toward one’s ancestors (pitṛ-ṛṇa) and presents tīrtha-based acts of reverence as spiritually potent, sometimes equated with large-scale sacrificial rites.