Shloka 70
Tīrtha-Māhātmya Sequence: Sacred Fords, Baths, Gifts, and Śrāddha
Narmadā-Belt Itinerary
तत्र स्नात्वा नरो राजंस्तर्पयेत्पितृदेवताः । उपोष्य रजनीमेकां पिंडं दत्वा यथाविधि
tatra snātvā naro rājaṃstarpayetpitṛdevatāḥ | upoṣya rajanīmekāṃ piṃḍaṃ datvā yathāvidhi
เมื่ออาบน้ำ ณ ที่นั้นแล้ว โอ้พระราชา บุคคลพึงถวายตัรปณะบูชาแด่เทพบรรพชน ครั้นแล้วถืออุโบสถหนึ่งราตรี และถวายปิณฑะตามพิธีที่กำหนด
Unspecified narrator addressing a king (rājan) within the Svarga-khaṇḍa discourse
Concept: Tīrtha-snāna should culminate in pitṛ-sevā: tarpaṇa, upavāsa, and piṇḍa-dāna performed in due order and rule.
Application: On pilgrimage days (or at home with clean water), remember ancestors with water-offering, keep a simple fast, and give food/charity in their name with correct intention and cleanliness.
Primary Rasa: shanta
Secondary Rasa: karuna
Type: tirtha
Visual Art Cues: {"scene_description":"On a quiet river-ghāṭa at dawn, a pilgrim emerges from sacred waters, dripping and composed, then sits on kuśa grass facing south to offer tarpaṇa with cupped palms. Nearby, a small leaf-plate holds a freshly formed piṇḍa, while a priest gestures the proper mudrā, and faint incense smoke rises into the cool air.","primary_figures":["pilgrim householder","pitṛs (subtle ancestral silhouettes)","tīrtha-purohita"],"setting":"stone ghāṭa beside a calm sacred ford with banyan and peepal trees, kuśa grass, small śrāddha implements (water pot, darbha, sesame)","lighting_mood":"golden dawn","color_palette":["river-silver","saffron ochre","banyan green","smoke gray","lamp-flame gold"],"tanjore_prompt":"Tanjore painting style: a serene tīrtha-ghāṭa scene with the pilgrim seated on darbha offering tarpaṇa, a priest beside him, and subtle pitṛ-forms in the background; heavy gold leaf on the water’s highlights, ornate borders, rich vermilion and emerald textiles, gem-studded vessels and halo-like radiance around the ritual space.","pahari_prompt":"Pahari miniature style: delicate dawn on a riverbank with fine-line ripples, the pilgrim in simple white cloth, priest in muted saffron, banyan leaves rendered with lyrical detail; cool pastel sky, refined faces, minimal architecture, and a gentle sense of quiet devotion.","kerala_mural_prompt":"Kerala mural style: bold black outlines, stylized ghāṭa steps and sacred trees, the pilgrim and priest with elongated eyes and traditional ornaments; warm red-yellow-green pigments, ritual vessels emphasized, and a calm, symmetrical composition.","pichwai_prompt":"Pichwai cloth painting style: ornate floral borders and lotus motifs framing a sacred river-ghāṭa; the ritual scene centered with decorative patterns, peacocks perched on the steps, deep indigo water with gold accents, and intricate textile-like detailing throughout."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["flowing water","soft temple bells","morning birds","low conch in distance","ritual murmurs"]}
Sandhi Resolution Notes: तर्पयेत्पितृदेवताः → तर्पयेत् + पितृदेवताः; रजनीमेकां → रजनीम् + एकाम्; यथाविधि (अव्ययीभाव)
FAQs
The verse prescribes pitṛ-tarpaṇa (libations to the ancestors), followed by a one-night fast and then piṇḍa-dāna offered according to proper ritual procedure.
Pitṛdevatāḥ refers to the Pitṛs—ancestral beings/deities who are honored through śrāddha-related offerings such as tarpaṇa and piṇḍa.
It emphasizes gratitude and duty toward one’s lineage—honoring ancestors through disciplined, rule-based rites (snāna, upoṣa, and offerings) as part of dharma.