Shloka 48
The Origin and Worship of Bhauma
Mars/Lohitāṅga
विहरस्व यथाकालं गायमानो हरिं मुदा । लोकान्धर्मं चोपदिशन्प्रीणयन्जगतां गुरुम्
viharasva yathākālaṃ gāyamāno hariṃ mudā | lokāndharmaṃ copadiśanprīṇayanjagatāṃ gurum
จงเที่ยวไปตามกาลอันควร ขับขานสรรเสริญพระหริด้วยความปีติ และสั่งสอนประชาชนในธรรม ยังความยินดีแก่คุรุแห่งโลกทั้งปวง
Unspecified (context required from surrounding verses to identify the dialogue pair)
Concept: Kīrtana of Hari joined with dharma-upadeśa is a life of right timing, service, and spiritual uplift that pleases Jagad-guru.
Application: Keep a daily rhythm (yathākālam): chant or sing Vishnu’s names, and translate devotion into ethical guidance—speak truthfully, encourage compassion, and model dharma in community life.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A saffron-clad sage-musician wanders along a sunlit forest path, vīṇā in hand, singing Hari’s names as villagers gather with folded palms. In the background, a small shrine with a tulasī planter and a simple dharma-śālā suggests teaching through song and counsel, while a soft aura hints at Jagad-guru Hari being inwardly pleased.","primary_figures":["Nārada (as archetypal Hari-kīrtaka)","devotees/villagers","an implied presence of Hari (Vishnu) as subtle radiance"],"setting":"Forest-edge village road with a small Vishnu shrine, tulasī pot, and seated listeners under a banyan tree","lighting_mood":"golden dawn","color_palette":["saffron ochre","sapphire blue","lotus pink","leaf green","golden amber"],"tanjore_prompt":"Tanjore painting style: Nārada with vīṇā mid-step, singing Hari’s nāma; villagers seated in reverence under a banyan; a small Viṣṇu shrine with tulasī in foreground; heavy gold leaf halos, rich crimson and emerald textiles, gem-studded ornaments, ornate arch motifs, South Indian iconographic detailing.","pahari_prompt":"Pahari miniature style: lyrical hillside-forest path with delicate trees and distant peaks; Nārada slender and serene with vīṇā; villagers in soft pastels listening; refined faces, cool greens and blues, gentle atmospheric perspective, fine linework and floral borders.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments; Nārada with large expressive eyes, vīṇā angled across the torso; shrine lamp and tulasī pot emphasized; warm red-yellow-green palette, temple-wall composition, stylized foliage and rhythmic ornamentation.","pichwai_prompt":"Pichwai cloth painting style: central devotional kīrtana scene framed by lotus and creeper borders; subtle Vishnu presence as a radiant śaṅkha-cakra emblem above; peacocks and cows at the margins; deep indigo ground with gold detailing, intricate floral motifs, Nathdwara-inspired ornamentation."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["vīṇā drone","temple bells","soft hand cymbals","morning birds","distant conch shell"]}
Sandhi Resolution Notes: गायमानो (कृदन्त); चोपदिशन् → च + उपदिशन्; प्रीणयन् (णिजन्त कृदन्त).
FAQs
It recommends joyful singing of Hari (kīrtana) along with teaching dharma to others, presented as a balanced spiritual and ethical duty.
By placing “singing Hari with joy” at the center of one’s conduct, it highlights devotion expressed through praise and remembrance of Viṣṇu.
Personal devotion should be paired with social responsibility: one should also guide people toward dharma, benefiting the community while honoring the divine.