Shloka 21
The Account of King Bhadreśvara
Sun-worship, healing, and heavenly ascent
बाणैर्जायाभिरालभ्यमर्कपर्णान्यपुष्पकं । एवमेव महापुण्यं कृत्वा सर्वजनप्रियं
bāṇairjāyābhirālabhyamarkaparṇānyapuṣpakaṃ | evameva mahāpuṇyaṃ kṛtvā sarvajanapriyaṃ
ด้วยศรเป็นเครื่องช่วย และด้วยความร่วมแรงของพระมเหสีทั้งหลาย พระองค์ทรงได้ใบอรฺกะและเครื่องบูชาอันปราศจากดอกไม้ ครั้นทรงกระทำบุญใหญ่ฉันนี้แล้ว ก็เป็นที่รักของชนทั้งปวง
Unclear from single-verse context (requires surrounding verses; likely within a narrator-to-listener dialogue typical of the Sṛṣṭikhaṇḍa).
Concept: Sincere, adaptive worship—performed with whatever pure materials are available—still yields mahāpuṇya and social harmony.
Application: When ideal conditions are absent, continue disciplined worship/ethical duty with available means; prioritize purity, intention, and consistency over display.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A king, aided by his queens, gathers pale arka leaves shot down by arrows from a thorny grove, then arranges a stark, flowerless offering on a clean altar. The people watch in hushed admiration as the austere rite radiates an unseen merit, turning the crowd’s faces soft with affection.","primary_figures":["King (rājā)","Queens (jāyāḥ)","Attendants","Priest/ṛtvik (optional)"],"setting":"Edge of a city near a scrub-forest grove of arka plants; a simple yajña-vedī with vessels and leaf-offerings.","lighting_mood":"golden dawn","color_palette":["pale sage green","sunlit ochre","ivory white","vermillion accents","smoky gray"],"tanjore_prompt":"Tanjore painting style: the king and his queens in ornate South Indian court attire gather arka leaves and place them on a small altar; gold leaf halos and embossed ornaments, rich vermillion and emerald textiles, stylized yajña vessels, delicate smoke curls, devotional solemnity, gem-studded jewelry, symmetrical composition.","pahari_prompt":"Pahari miniature style: lyrical forest-edge scene with slender arka shrubs, the king in refined profile holding a bow, queens assisting with leaf bundles; cool greens and soft browns, delicate linework, distant hills, gentle expressions, minimal altar with leaf-offering, poetic quietness.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments; the king with bow and queens with elongated eyes and elaborate hair ornaments; arka leaves rendered as rhythmic motifs; small vedī with offerings, warm red-yellow-green palette, sacred austerity emphasized.","pichwai_prompt":"Pichwai cloth painting style: devotional tableau with ornate floral borders replaced by stylized arka-leaf garlands; central altar with leaf-offering, attendants in rhythmic rows, peacocks and lotuses in margins, deep indigo background with gold detailing, celebratory yet austere mood."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["soft bowstring twang","leaf rustle","low mantra hum","distant temple bell"]}
Sandhi Resolution Notes: बाणैर्जायाभिः = बाणैः + जायाभिः (विसर्ग→र्). आलभ्यमर्कपर्णानि = आलभ्य + अर्कपर्णानि (स्वर-सन्धि). अर्कपर्णान्यपुष्पकम् = अर्कपर्णानि + अपुष्पकम् (इ + अ → य).
FAQs
Arka (Calotropis) leaves are frequently used as ritual substitutes in specific vows and offerings; the verse highlights making a valid offering even when flowers are absent, emphasizing intent and proper method.
That performing a genuinely meritorious act (puṇya), even under constraints, earns social goodwill and makes one ‘beloved of all’—a practical fruit of dharmic conduct.
Not determinable from this verse alone; the Padma Purāṇa often frames teachings in such dialogues, but the immediate speaker identification requires the preceding and following verses of Adhyaya 79.