Shloka 91
The Arkāṅga Saptamī (Bhāskara Saptamī) Vow: Origin of Sūrya, Pacification of Rays, and Māgha Saptamī Observance
अर्काग्रं ग्रामात्पूर्वोत्तरदिग्गतार्कविटपस्य शाखाग्रस्थितं । विशिष्टं सूक्ष्मपत्रद्वयं सतोयं दन्तैरस्पृष्टं पातव्यं । शुचिगोमयं भूमावपतितं मद्याङ्गुष्ठाभ्यां पलमात्रं दन्तैरस्पृष्टं सतोयं पातव्यम् । सुमरिचमव्रणमपुरातनं स्थूलमवशुष्कमेकं दन्तैरस्पृष्टं सतोयं पातव्यम् । तोयं ब्रह्मपित्रङ्गुलीमूलप्रसरं पातव्यम्फलं खर्जूरनारिकेलानामन्यतमं दंतैरस्पृष्टं पातव्यं घृताक्तमिति चाहारं मयूरडिंभपरिमाणं । घृतमपि तत्परिमाणम्
arkāgraṃ grāmātpūrvottaradiggatārkaviṭapasya śākhāgrasthitaṃ | viśiṣṭaṃ sūkṣmapatradvayaṃ satoyaṃ dantairaspṛṣṭaṃ pātavyaṃ | śucigomayaṃ bhūmāvapatitaṃ madyāṅguṣṭhābhyāṃ palamātraṃ dantairaspṛṣṭaṃ satoyaṃ pātavyam | sumaricamavraṇamapurātanaṃ sthūlamavaśuṣkamekaṃ dantairaspṛṣṭaṃ satoyaṃ pātavyam | toyaṃ brahmapitraṅgulīmūlaprasaraṃ pātavyamphalaṃ kharjūranārikelānāmanyatamaṃ daṃtairaspṛṣṭaṃ pātavyaṃ ghṛtāktamiti cāhāraṃ mayūraḍiṃbhaparimāṇaṃ | ghṛtamapi tatparimāṇam
พึงจิบน้ำหลังจากรับเอาปลายกิ่งอรกะ (Calotropis) ที่อยู่บนกิ่งซึ่งชี้ไปทางทิศตะวันออกเฉียงเหนือจากหมู่บ้าน—คือใบละเอียดสองใบ—โดยไม่ให้ฟันแตะต้อง. พึงจิบน้ำหลังจากรับเอามูลโคอันสะอาดที่ตกอยู่บนพื้น ปริมาณหนึ่งปละ จับไว้ระหว่างนิ้วกลางกับนิ้วหัวแม่มือ โดยไม่ให้ฟันแตะต้อง. พึงจิบน้ำหลังจากรับเอาเม็ดพริกไทยดำดีหนึ่งเม็ด ไม่ช้ำ ไม่เก่า เม็ดใหญ่และแห้งสนิท โดยไม่ให้ฟันแตะต้อง. พึงดื่มน้ำให้ได้ประมาณที่แผ่จากโคนหัวแม่มือถึงโคนชี้ (หนึ่งฝ่ามือ). แล้วพึงจิบน้ำหลังจากรับเอาผลไม้—อินทผลัมหรือมะพร้าวอย่างใดอย่างหนึ่ง—ชโลมด้วยฆี โดยไม่ให้ฟันแตะต้อง; ส่วนอาหารให้มีขนาดเท่าไข่นกยูง และฆีก็เท่าปริมาณนั้นด้วย
Unspecified (narrative injunctions in Sṛṣṭikhaṇḍa; likely within the Pulastya–Bhīṣma dialogue context of Padma Purāṇa)
Concept: Śuddhi is enacted through attention: direction, measure, freshness, and non-injury (not biting with teeth) transform ordinary substances into ritual instruments.
Application: Bring mindfulness to small actions—how you take food, speak, and handle resources; precision can be a spiritual practice when joined to intention.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: forest
Visual Art Cues: {"scene_description":"A close, almost cinematic ritual scene: the devotee stands at the village’s edge, reaching to a north-east pointing arka branch to pluck two tiny leaves with extreme care, lips closed, teeth untouched. Nearby, a small clean cow-dung pellet is lifted between thumb and middle finger; a single dried peppercorn rests on a leaf; a measured palmful of water glints in a copper cup; and a date or coconut shines with a thin coat of ghee, all arranged with meticulous symmetry.","primary_figures":["a vrata-observer","optional: a priest/ācārya instructing","Sūrya (subtle halo in the sky)"],"setting":"Village-edge path with arka shrub; a small portable altar cloth on the ground; copper cup; minimal, clean ritual implements.","lighting_mood":"golden dawn","color_palette":["pale gold","earth brown","copper orange","leaf green","cream white"],"tanjore_prompt":"Tanjore painting style: devotee at the arka shrub in the NE direction, plucking two fine leaves; copper vessel and offerings below; Sūrya above with embossed gold rays; rich red and green borders, gold leaf detailing on vessels and halo, jewel-like highlights, traditional South Indian ornamentation.","pahari_prompt":"Pahari miniature style: delicate close-up of hands and offerings; fine brushwork showing two tiny arka leaves, a single peppercorn, and a ghee-glossed fruit; soft dawn gradient sky; refined facial profile with calm concentration; gentle naturalism in foliage.","kerala_mural_prompt":"Kerala mural style: bold outlines emphasizing hand gestures (mudrā-like precision); stylized arka plant and copper cup; flat pigments with ochre, red, and green dominance; decorative temple border framing the procedural steps.","pichwai_prompt":"Pichwai cloth painting style: symmetrical offering layout beneath a radiant sun-maṇḍala; lotus borders and floral creepers; peacocks at corners; deep indigo background with gold linework; small labeled compartments for leaf, pepper, water, fruit, and ghee measure."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"authoritative","sound_elements":["soft water sipping","rustling arka leaves","distant village sounds","temple bell (faint)"]}
Sandhi Resolution Notes: grāmāt-pūrvottara... = grāmāt + pūrvottara...; pātavyamphalam = pātavyam + phalam; nakṣatra prose uses repeated pātavyam with conditions satoyam, dantair aspṛṣṭam. Some compounds are long prose-style tatpuruṣas.
FAQs
It gives prescriptive rules for ritual sipping/drinking of water (ācamana-like purification), specifying items and measurements, and repeatedly emphasizing that the items should not be touched by the teeth.
In purity rules, contact with the teeth can be treated as a form of contamination of what is being taken; the verse stresses a careful, ritually clean mode of taking/sipping.
It emphasizes disciplined bodily conduct and attentiveness in daily religious practice—purity is presented as something maintained through careful, measured actions rather than casual habit.