Shloka 21
The Hymn to Gaṇapati
and the Rule of Worshipping Gaṇeśa First
दत्वा सर्वगुणं पुण्यं देवदेव्या तथा मुदा । कृतं गणाधिपत्यं च सर्वदेवाग्रतस्तदा
datvā sarvaguṇaṃ puṇyaṃ devadevyā tathā mudā | kṛtaṃ gaṇādhipatyaṃ ca sarvadevāgratastadā
ครั้นแล้ว เขาได้ถวายทานอันเปี่ยมคุณทั้งปวงและเป็นบุญกุศลแด่พระเทวีแห่งเทพทั้งหลายด้วยความปีติ; แล้วต่อหน้าทวยเทพทั้งสิ้น จึงประทานความเป็นเจ้าเหนือหมู่คณะ (คณาธิปัตย์)
Narrator (context not provided to identify a dialogue speaker with certainty)
Concept: Divine offices are established through sanctioned bestowal; authority in the cosmos is conferred in the presence of the divine assembly, ensuring legitimacy and harmony.
Application: Seek transparent, community-witnessed legitimacy in leadership roles; celebrate appointments that serve collective welfare rather than ego.
Primary Rasa: adbhuta
Secondary Rasa: vira
Type: celestial_realm
Visual Art Cues: {"scene_description":"In a grand celestial hall, the gods gather in concentric rows as a joyful consecration unfolds. Gaṇeśa is ceremonially invested with gaṇādhipatya—crowned and garlanded—while Devī smiles in approval and the assembly showers flowers like a rain of blessings.","primary_figures":["Gaṇeśa (new Gaṇādhipa)","Devī (Deva-devī)","Śiva (implied bestower)","assembled devas"],"setting":"celestial court with jeweled pillars, flower rain, and ceremonial throne; conch and drum bearers at the edges","lighting_mood":"golden dawn","color_palette":["sunrise gold","lotus pink","royal blue","ivory","crimson"],"tanjore_prompt":"Tanjore painting style: Coronation of Gaṇeśa in a deva-sabhā—throne, crown, garlands, flower shower; Devī and Śiva flanking; heavy gold leaf on throne and halos, rich reds/greens, gem-studded ornaments, symmetrical arch framing and ornate borders.","pahari_prompt":"Pahari miniature style: A lyrical celestial pavilion with delicate columns; Gaṇeśa being crowned, devas offering flowers; soft gradients in sky, refined facial features, intricate textile patterns, gentle celebratory movement captured with fine brushwork.","kerala_mural_prompt":"Kerala mural style: Central enthroned Gaṇeśa with bold outlines and stylized eyes; tiers of devas in rhythmic arrangement; strong reds/yellows/greens, temple-wall aesthetic, ornamental borders and flower-rain motifs.","pichwai_prompt":"Pichwai cloth painting style: Gaṇeśa enthroned amid lotus motifs and ornate floral borders; attendants and devas arranged symmetrically; deep blue background with gold highlights, garlands and flower shower rendered as intricate repeating patterns."}
Audio Atmosphere: {"recitation_mood":"celebratory","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["conch shell","mridanga drums","temple bells","flower shower rustle"]}
Sandhi Resolution Notes: सर्वदेवाग्रतस् + तदा → सर्वदेवाग्रतस्तदा; देवदेव्या = देवस्य देवी (षष्ठी-तत्पुरुष) तृतीया एकवचन।
FAQs
It describes the formal conferral/establishment of “gaṇādhipatya”—lordship over the Gaṇas—done publicly before the assembled deities.
“Devadevyāḥ” literally means “to the Goddess of the gods,” a reverential designation for Devī (the supreme Goddess) in Śaiva/Śākta narrative contexts.
It links joyful, virtuous giving (puṇya, mudā) with divine recognition and auspicious outcomes, highlighting the value of sincere devotional action performed in a sacred/public setting.