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Shloka 49

Expansion of Creation through Dakṣa and Kaśyapa: Devas, Dānavas, Nāgas, Birds, and Cosmic Offices

विप्रचित्तिः प्रधानोभूदेषां मध्ये महाबलः । द्विरष्टमूर्द्धा शकुनिस्तथा शंकुशिरोधरः

vipracittiḥ pradhānobhūdeṣāṃ madhye mahābalaḥ | dviraṣṭamūrddhā śakunistathā śaṃkuśirodharaḥ

ในหมู่พวกนั้น วิปรจิตติผู้มีกำลังยิ่งเป็นหัวหน้า และยังมี ทวิรัษฏมูรธา ศกุนี และศังกุศิโรธระด้วย

vipracittiḥVipracitti
vipracittiḥ:
Karta (कर्ता)
TypeNoun
Rootvipracitti (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana; नाम
pradhānaḥchief
pradhānaḥ:
Karta (कर्ता)
TypeAdjective
Rootpradhāna (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana; विशेषण
abhūtbecame
abhūt:
Kriyā (क्रिया)
TypeVerb
Root√bhū (धातु)
FormLaṅ (लङ्, Imperfect), Prathama-puruṣa (3rd), Ekavacana; parasmaipada
eṣāmof these
eṣām:
Sambandha (सम्बन्ध/Genitive)
TypeNoun
Rootidam (प्रातिपदिक; सर्वनाम)
FormṢaṣṭhī (6th/षष्ठी), Bahuvacana (plural); सर्वनाम
madhyein the midst
madhye:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootmadhya (प्रातिपदिक)
FormSaptamī (7th/सप्तमी), Ekavacana; अधिकरण (location)
mahābalaḥmighty
mahābalaḥ:
Karta (कर्ता)
TypeAdjective
Rootmahā-bala (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana; विशेषण (appositional)
dviraṣṭamūrddhā(one) with sixteen heads
dviraṣṭamūrddhā:
Karta (कर्ता)
TypeNoun
Rootdvi-aṣṭa-mūrddhan (प्रातिपदिक; द्वि + अष्ट + मूर्द्धन्)
FormPuṃliṅga, Prathamā, Ekavacana; द्विगुसमास; नाम (epithet)
śakuniḥŚakuni
śakuniḥ:
Karta (कर्ता)
TypeNoun
Rootśakuni (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana; नाम
tathāand also/likewise
tathā:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottathā (अव्यय)
FormAvyaya; conjunction/adverb (समुच्चय/तुल्यवृत्ति)
śaṃkuśirodharaḥŚaṅkuśirodhara (bearing a cone-like head)
śaṃkuśirodharaḥ:
Karta (कर्ता)
TypeNoun
Rootśaṃku-śiras-dhara (प्रातिपदिक; शंकु + शिरस् + धर)
FormPuṃliṅga, Prathamā, Ekavacana; नाम (epithet)

Narrator (Purāṇic narration; specific dialogue speaker not identifiable from this single verse alone)

Concept: Creation unfolds through ordered lineages; even antagonistic beings have a place within cosmic administration (niyati).

Application: Recognize patterns and causes behind conflicts; cultivate vigilance and humility—power without dharma becomes disruptive.

Primary Rasa: adbhuta

Secondary Rasa: vira

Visual Art Cues: {"scene_description":"A vast twilight assembly in the nether-cosmic court where Danava chiefs stand in ranks as their names are proclaimed by a sage-scribe. Vipracitti, towering and armored, is subtly elevated as the foremost, while Dviraṣṭamūrdhā, Śakunī, and Śaṅkuśirodhara appear with distinctive, mythic physiognomies—multiple crowns, avian motifs, and a conical head-crest—suggesting their uncanny origins.","primary_figures":["Vipracitti","Dviraṣṭamūrdhā","Śakunī (Danava figure)","Śaṅkuśirodhara","Purāṇic narrator-sage (as a scribe)"],"setting":"A subterranean-celestial liminal hall (asura sabhā) with basalt pillars, serpent-carved arches, and distant lava-lit horizons; banners bearing asura insignia.","lighting_mood":"moonlit with underworld glow","color_palette":["obsidian black","smoky violet","burnished bronze","blood red","cold silver"],"tanjore_prompt":"Tanjore painting style: a formal, frontal court tableau of Vipracitti as chief among Danavas, seated on a stylized throne with gold-leaf aureole; attendants Dviraṣṭamūrdhā, Śakunī, Śaṅkuśirodhara arranged symmetrically; heavy gold ornamentation, rich crimson and emerald textiles, gem-studded crowns, intricate floral borders, sacred-text scroll in the narrator’s hand.","pahari_prompt":"Pahari miniature style: a lyrical twilight gathering of asura chiefs on a rocky terrace under a pale moon; Vipracitti slightly elevated; delicate linework for armor and facial expressions, cool indigo-violet sky, distant mountains rendered softly; refined detailing of head-forms (multi-crowned, bird-like, conical crest) without grotesquerie.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments depicting Vipracitti and the named Danavas in a tiered composition; large expressive eyes, stylized jewelry, red-yellow-green dominant palette with dark background; ornamental serpent and lotus motifs framing the scene as a cosmic genealogy panel.","pichwai_prompt":"Pichwai cloth painting style: a symbolic genealogy scroll where the Danava names appear as calligraphic cartouches amid lotus and vine borders; central medallion shows a dark-blue cosmic lotus with a shadowed court beneath; peacocks replaced by stylized underworld birds; deep indigo ground with gold highlights and intricate floral filigree."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["low temple drum (mridanga)","distant conch echo","subterranean wind","soft cymbals"]}

Sandhi Resolution Notes: pradhānobhūt = pradhānaḥ + abhūt; dviraṣṭamūrddhā is a dvigu compound (dvi+aṣṭa=16) qualifying mūrddhan; śaṃkuśirodharaḥ = śaṃku + śiras + dhara.

V
Vipracitti
D
Dviraṣṭamūrdhā
Ś
Śakunī
Ś
Śaṅkuśirodhara

FAQs

Vipracitti is presented as a powerful Daitya/Asura figure who becomes the leader among the group being enumerated in this creation-era genealogy.

It functions as a catalog-style genealogical notice, naming prominent beings and indicating hierarchy (Vipracitti as chief) within an early cosmological listing.

Not directly; it is primarily descriptive (genealogical). Ethical or devotional implications, if any, would come from the broader narrative context of the chapter rather than this standalone list-verse.