Shloka 127
Merit of Causeways and Crossings, Temple Construction Rewards, and the Rudrākṣa Mahātmya
यावच्चावैदिकं मंत्रं पौराणं चागमोद्भवम् । सर्वं रुद्राक्षमालायामीप्सितेष्टार्थदायकम्
yāvaccāvaidikaṃ maṃtraṃ paurāṇaṃ cāgamodbhavam | sarvaṃ rudrākṣamālāyāmīpsiteṣṭārthadāyakam
มนต์ใดก็ตามที่มิใช่เวท เป็นปุราณะ หรือกำเนิดจากอาคม—ทั้งหมดนั้น เมื่อสวดภาวนาพร้อมมาลารุทรाक्षะ ย่อมเป็นผู้ประทานผลอันพึงปรารถนาและเป็นที่รักยิ่ง
Unknown (context not provided for dialogue attribution within Adhyaya 59)
Concept: Ritual instruments (rudrākṣa-mālā) can amplify mantra-sādhana across textual lineages—Vaidika, Purāṇika, and Āgamic—toward iṣṭa-siddhi.
Application: Choose one mantra and practice consistently with a clean mālā, steady japa count, and ethical restraints; treat the mālā as a vow-object (vrata-aṅga) rather than a mere accessory.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A contemplative sādhaka sits on a kusa mat before a small altar, counting japa on a rudrākṣa rosary. Behind him, three luminous scroll-like streams—Vedic, Purāṇic, and Āgamic—rise as subtle light-ribbons and converge into the mālā, suggesting unified potency.","primary_figures":["sādhaka (brāhmaṇa or yogin)","subtle personifications of Veda, Purāṇa, Āgama (as light-forms)"],"setting":"Forest hermitage veranda with a low altar, incense, water pot, and a manuscript bundle; distant river glint but unnamed.","lighting_mood":"temple lamp-lit","color_palette":["sandalwood beige","smoke gray","gold leaf","deep maroon","saffron orange"],"tanjore_prompt":"Tanjore painting style: a seated sādhaka holding a rudrākṣa mālā before a small altar, three radiant aureoles labeled as Veda-Purāṇa-Āgama converging into the rosary, heavy gold leaf halos, rich maroon background, gem-studded ornaments on the altar vessels, traditional South Indian iconographic symmetry.","pahari_prompt":"Pahari miniature style: a quiet hermitage scene with delicate brushwork, the sādhaka counting rudrākṣa beads, pale Himalayan sky, lyrical trees and a thin stream, subtle translucent ribbons of script-light (Veda/Purāṇa/Āgama) merging into the mālā, refined facial features and cool greens/blues.","kerala_mural_prompt":"Kerala mural style: bold black outlines, the sādhaka in frontal three-quarter pose with large expressive eyes, rudrākṣa mālā prominent, stylized palm-leaf manuscripts behind, warm red-yellow-green palette, temple-wall texture, glowing lamp at the side.","pichwai_prompt":"Pichwai cloth painting style: central japa scene framed by intricate floral borders and lotus motifs, deep indigo ground with gold highlights, rudrākṣa garlands as repeating pattern, peacocks at the corners, devotional symmetry and ornate textile detailing."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["soft temple bells","incense crackle","distant flowing water","gentle tanpura drone","silence between phrases"]}
Sandhi Resolution Notes: yāvaccāvaidikaṃ → yāvat + ca + avaidikam; cāgamodbhavam → ca + āgama-udbhavam; rudrākṣamālāyāmīpsiteṣṭārthadāyakam → rudrākṣa-mālāyām + īpsita-iṣṭa-artha-dāyakam.
FAQs
It teaches that mantras—whether non-Vedic, Purāṇic, or Āgamic—become especially efficacious for attaining desired results when practiced with a rudrākṣa rosary.
Rather than ranking them, it groups several sources of mantra (non-Vedic, Purāṇic, Āgamic) and emphasizes the enhancing role of rudrākṣa-mālā in producing intended outcomes.
Japa (repetition of mantra) using a rudrākṣa rosary, with the intention of attaining īpsita-iṣṭa (desired and cherished) aims.