Shloka 36
Narrative of the Śūdra’s Renunciation of Greed
with the Tulādhāra Greatness Prelude
एषां प्रचुरभावाच्च तपः क्षयं गमिष्यति । क्षीणे तपसि वर्तंते पंकाश्चित्तप्रमोहकाः
eṣāṃ pracurabhāvācca tapaḥ kṣayaṃ gamiṣyati | kṣīṇe tapasi vartaṃte paṃkāścittapramohakāḥ
เพราะสิ่งเหล่านี้มีมากและครอบงำ ตบะ (ความเพียรบำเพ็ญ) ย่อมเสื่อมถอย. เมื่อตบะร่อยหรอแล้ว มลทินดุจโคลนตมย่อมเกาะกุม ทำให้จิตใจหลงมัว
Unspecified (context-dependent within Sṛṣṭikhaṇḍa narrative)
Concept: When vices become widespread, tapas declines; with diminished tapas, mind-bewildering impurities adhere like mire.
Application: Protect daily disciplines: fixed japa time, regulated food/sleep, periodic fasting (especially Ekadashi) to prevent ‘panka’ from settling in the mind.
Primary Rasa: karuna
Secondary Rasa: bhayanaka
Visual Art Cues: {"scene_description":"A hermitage once bright with sacrificial fires now shows dim embers; the air thickens as dark mud creeps across the ground and clings to the feet of wandering minds. Above, a faint, clean stream of light suggests tapas as a drying sun that could restore clarity if rekindled.","primary_figures":["ascetics with fading tejas","personified Panka (mire-impurity)","wandering townsfolk with clouded eyes","subtle Vishnu-emblem in the sky"],"setting":"forest āśrama at the edge of a settlement, with a drying yajna-kunda and encroaching mud","lighting_mood":"overcast twilight with a thin shaft of purifying light","color_palette":["ash gray","mud brown","dull saffron","pale gold","deep green"],"tanjore_prompt":"Tanjore painting style: an āśrama scene with a yajna-kunda whose flames are small; ascetics’ halos reduced; stylized dark mire creeping in ornate patterns; a gold-leaf sunbeam labeled Tapas cutting through; temple-arch frame, rich maroons and greens, embossed gold for the purifying ray.","pahari_prompt":"Pahari miniature style: quiet forest hermitage with delicate trees; thin smoke from a weak fire; translucent brown wash representing panka pooling near the feet; villagers with softened, confused expressions; a pale golden streak of light suggesting tapas returning, rendered with fine brushwork and cool naturalism.","kerala_mural_prompt":"Kerala mural style: symmetrical composition—left side bright tapas with yellow-red fire, right side dark panka with green-brown swirls; bold outlines, expressive eyes showing moha; Vishnu’s chakra motif faintly above as the restoring principle; natural pigment palette and temple-wall geometry.","pichwai_prompt":"Pichwai cloth painting style: decorative mud-vine motifs encroaching on lotus borders; central fire altar with diminishing flame; intricate floral frame where some lotuses droop (tapas-kshaya) and others remain upright near a small Vishnu symbol; deep blue background with gold highlights and patterned earth tones."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"serene","sound_elements":["crackling faint fire","forest birds subdued","soft wind","single bell at cadence"]}
Sandhi Resolution Notes: pracurabhāvācca → pracura-bhāvāt ca; paṃkāścittapramohakāḥ → paṃkāḥ citta-pramohakāḥ.
FAQs
It warns that when harmful tendencies become widespread, spiritual discipline (tapas) diminishes, and mental confusion along with inner impurities begins to dominate.
“Paṅka” is a metaphor for sticky inner defilements—confusion, craving, and dullness—that cling to the mind and obstruct clarity and dharma.
Guard one’s conduct and environment: when unwholesome influences proliferate, discipline weakens; maintaining tapas—self-restraint, truthfulness, and steadiness—prevents mental delusion.