Shloka 36
Narasiṃha’s Greatness and the Slaying of Hiraṇyakaśipu
Boon, Portents, and Cosmic Restoration
नारसिंहेन वपुषा पाणिं संगृह्य पाणिना । ततो ददर्श विस्तीर्णां दिव्यां रम्यां मनोरमाम्
nārasiṃhena vapuṣā pāṇiṃ saṃgṛhya pāṇinā | tato dadarśa vistīrṇāṃ divyāṃ ramyāṃ manoramām
เมื่อทรงแปลงกายเป็นนรสิงห์ พระองค์ทรงกุมมือของนางไว้ด้วยพระหัตถ์ แล้วทอดพระเนตรเห็นสิ่งอันกว้างใหญ่ เป็นทิพย์ งดงาม และน่ารื่นรมย์ยิ่งนัก
Narrator (contextual; specific dialogue speaker not identifiable from the single verse alone)
Concept: The Lord assumes a fitting form to protect and guide the surrendered, turning fear into vision of the divine.
Application: In moments of threat or uncertainty, take refuge in the Divine protector; let courage be paired with gentleness—‘hand in hand’ steadiness.
Primary Rasa: adbhuta
Secondary Rasa: vira
Type: celestial_realm
Visual Art Cues: {"scene_description":"Vishnu in Nṛsiṃha form—lion-faced yet compassionate—gently clasps a devotee’s hand, stepping into a colossal, otherworldly hall that stretches beyond sight. The threshold shimmers as if reality itself parts, revealing a vast divine vista inside the asura palace, where opulence meets an uncanny stillness before dharma’s triumph.","primary_figures":["Nṛsiṃha (Vishnu)","a companion figure (devotee/consort figure implied by ‘hand in hand’)","attendant devas (subtle, in the background)"],"setting":"Entrance to an immense jeweled asura assembly-hall with towering pillars, inlaid floors, and distant arches fading into luminous haze.","lighting_mood":"divine radiance","color_palette":["sapphire blue","molten gold","ruby red","ivory white","smoky obsidian"],"tanjore_prompt":"Tanjore painting style: Nṛsiṃha with leonine face and serene eyes holding a companion’s hand at the jeweled threshold of Hiraṇyakaśipu’s vast sabhā; heavy gold leaf on crown, halo, pillars and floor inlays; rich crimson and emerald textiles; gem-studded ornaments; symmetrical South Indian iconographic framing with ornate arch (prabhāvali) and lotus borders.","pahari_prompt":"Pahari miniature style: lyrical depiction of Nṛsiṃha gently leading a companion into a vast palace hall; delicate brushwork, refined faces, soft gradients; cool slate and lapis shadows with warm gold highlights; architectural depth suggested by repeating arches; subtle misty atmosphere conveying wonder.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments; Nṛsiṃha’s large expressive eyes, stylized mane, and elaborate jewelry; palace doorway with patterned pillars; dominant reds, yellows, greens; sacred aura rendered as concentric halos and rhythmic motifs.","pichwai_prompt":"Pichwai cloth painting style: Vishnu-Nṛsiṃha centered with ornate halo, lotus and floral borders; palace threshold stylized with repeating lotus medallions; peacocks and floral creepers in margins; deep indigo background with gold detailing; devotional symmetry and intricate textile-like patterning."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["conch shell","temple bells","low drone (tanpura)","distant thunder-like resonance","brief silence at the ‘beheld’ moment"]}
Sandhi Resolution Notes: नारसिंहेन = नरसिंह + एन (तृतीया); संगृह्य = सम् + गृहीत्वा (ल्यप्-रूप); ततॊ ददर्श = ततः + ददर्श; विस्तीर्णां दिव्यां रम्यां मनोरमाम् — सर्वे विशेषणानि स्त्री-द्वितीया-एकवचन, एकं स्त्रीलिङ्गं कर्म (अप्रकटं, यथा ‘सभाम्/पुरीम्’) विशेषयन्ति
FAQs
The verse states that someone, having assumed the Narasiṃha form, takes (another’s) hand; the exact identity of both persons requires the surrounding verses of Adhyaya 45 for confirmation.
A divine being in Narasiṃha form gently grasping a hand, followed by a vision of something vast and heavenly—described as beautiful and enchanting.
It suggests divine guidance and protection (associated with Narasiṃha) and the idea that contact with the divine leads to a higher, wondrous vision—though a specific ethical teaching depends on the broader passage.