Shloka 24
Narasiṃha’s Greatness and the Slaying of Hiraṇyakaśipu
Boon, Portents, and Cosmic Restoration
लब्धमात्रे वरे सोथ प्रजास्सर्वा अबाधत । हिरण्यकशिपुर्दैत्यो वरदानेन गर्वितः
labdhamātre vare sotha prajāssarvā abādhata | hiraṇyakaśipurdaityo varadānena garvitaḥ
ครั้นได้พรเพียงเท่านั้น เขาก็เริ่มกดขี่หมู่ประชาทั้งปวง; อสูรหิรัณยกศิปุพองโตด้วยความทะนงเพราะการประทานพร
Narrator (Purāṇic narration; specific dialogue-speaker not explicit in this single verse)
Concept: Boons without humility become fuel for adharma; pride (garva) after varadāna leads to persecution and invites divine correction.
Application: Treat success as responsibility, not entitlement; watch for ‘boon-pride’—power gained through skill, wealth, or status must be restrained by ethics.
Primary Rasa: raudra
Secondary Rasa: bhayanaka
Type: earthly
Visual Art Cues: {"scene_description":"Hiraṇyakaśipu stands towering in a darkened palace court, his eyes sharp with pride as frightened citizens and lesser beings recoil. The boon’s aura clings to him like a hard, metallic glow, while the world around seems to dim under his shadow.","primary_figures":["Hiraṇyakaśipu","terrified subjects (prajā)"],"setting":"asura palace courtyard overlooking a subdued city; banners whipping in harsh wind","lighting_mood":"storm-lit","color_palette":["iron gray","blood red","burnt umber","sickly green","dull gold"],"tanjore_prompt":"Tanjore painting style: Hiraṇyakaśipu in regal yet fearsome posture with exaggerated crown and armor, dull-gold sheen of boon-pride; subjects cowering at the margins; heavy gold leaf used ironically on ornaments, deep reds and dark greens, ornate but oppressive palace archways.","pahari_prompt":"Pahari miniature style: a stylized fortress terrace with sharp angles; Hiraṇyakaśipu central, subjects small and distressed; restrained palette with smoky grays and maroons, delicate linework capturing psychological menace rather than gore.","kerala_mural_prompt":"Kerala mural style: bold-outlined asura king with intense eyes and angular stance; patterned palace background; strong reds and dark greens, dramatic composition with prajā clustered in fear, emphasizing adharma’s weight.","pichwai_prompt":"Pichwai cloth painting style: reinterpretation as a moral tableau—central asura figure framed by withering lotus motifs and dark floral borders; deep indigo and maroon ground with dull-gold highlights, symmetrical frightened attendants, symbolic dimming of auspicious motifs."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["thunder (distant)","war drum","ominous drone","crow calls"]}
Sandhi Resolution Notes: सोथ = सः + अथ; प्रजास्सर्वा = प्रजाः + सर्वाः; हिरण्यकशिपुर्दैत्यो = हिरण्यकशिपुः + दैत्यः; labdhamātre treated as labdha-mātre (tatpuruṣa).
FAQs
It warns that power or special favors (boons) can quickly lead to arrogance and oppression when not guided by dharma.
Hiraṇyakaśipu is a famous Daitya king known for obtaining boons and then persecuting beings, especially in opposition to devotion to Viṣṇu (not named in this verse but central to his wider narrative).
Gifts and achievements should cultivate humility; otherwise, pride becomes the cause of harm to others and eventual downfall.