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Shloka 139

The Manifestation of Viṣṇu’s Footprints: Vāmana–Trivikrama, Bāṣkali’s Subjugation, and the Rise of Viṣṇupadī

Gaṅgā

ये त्वया विजिताः पूर्वं दानवा बलवत्तराः । सहस्रांशेन तत्तुल्यो न भवामि कथंचन

ye tvayā vijitāḥ pūrvaṃ dānavā balavattarāḥ | sahasrāṃśena tattulyo na bhavāmi kathaṃcana

ข้าแต่พระผู้เป็นเจ้า เหล่าทานวะผู้ทรงฤทธิ์ที่พระองค์เคยปราบมาก่อนนั้น ข้ามิอาจเทียบได้เลย แม้เพียงหนึ่งในพันส่วนก็หาไม่

yewho (those who)
ye:
Karta (Subject/कर्ता)
TypeNoun
Rootyad (सर्वनाम)
FormMasculine, Nominative (1st/प्रथमा), Plural
tvayāby you
tvayā:
Karta (Agent/कर्ता in passive construction)
TypeNoun
Rootyuṣmad (सर्वनाम)
FormCommon Gender, Instrumental (3rd/तृतीया), Singular
vijitāḥconquered/defeated
vijitāḥ:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootvi + ji (धातु) + kta (प्रत्यय)
FormMasculine, Nominative (1st/प्रथमा), Plural (Past Passive Participle)
pūrvampreviously/before
pūrvam:
Adhikaraṇa (Time/कालाधिकरण)
TypeIndeclinable
Rootpūrva (अव्यय)
FormAdverb of time
dānavāḥDanavas (demons)
dānavāḥ:
Karma (Object/कर्म in passive construction)
TypeNoun
Rootdānava (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Plural
balavattarāḥstronger/very strong
balavattarāḥ:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootbalavat + tara (तद्धित)
FormMasculine, Nominative (1st/प्रथमा), Plural (Comparative Degree)
sahasrāṃśenaby a thousandth part
sahasrāṃśena:
Karana (Instrument/करण)
TypeNoun
Rootsahasra + aṃśa (प्रातिपदिक)
FormMasculine, Instrumental (3rd/तृतीया), Singular
tattulyaḥequal to them
tattulyaḥ:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Roottad + tulya (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular
nanot
na:
Nishedha (Negation/निषेध)
TypeIndeclinable
Rootna (अव्यय)
FormNegative Particle
bhavāmiI am/I become
bhavāmi:
Kriya (Action/क्रिया)
TypeVerb
Rootbhū (धातु)
FormLat Lakara (Present), Uttama Purusha (1st), Singular
kathaṃcanain any way/at all
kathaṃcana:
Kriyavisheshana (Adverb/क्रियाविशेषण)
TypeIndeclinable
Rootkathaṃcana (अव्यय)
FormAdverb

Unspecified (a subordinate or weaker being addressing a victorious hero)

Concept: True refuge begins with honest humility: recognizing one’s limits and the protector’s greatness dissolves pride and opens the door to grace.

Application: Admit when you are outmatched; seek help without shame, and cultivate gratitude toward those who protect and guide.

Primary Rasa: karuna

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A smaller, trembling figure kneels amid the dust of battle, hands folded, eyes lifted toward the approaching Indra. In the distance, the silhouettes of once-mighty dānavas loom like memories, while Indra’s presence—calm and commanding—turns fear into relief.","primary_figures":["Supplicant figure (unnamed)","Indra","Dānavas (as distant, fading threat)"],"setting":"Edge of a battlefield with broken standards and drifting dust; a clear corridor opens as the protector approaches.","lighting_mood":"golden dawn","color_palette":["warm gold","dusty ochre","sky blue","iron gray","white"],"tanjore_prompt":"Tanjore painting style: kneeling supplicant with folded hands before Indra, gold leaf halo around Indra, rich textiles and ornaments; background dānavas rendered smaller and subdued; ornate border emphasizing devotional humility.","pahari_prompt":"Pahari miniature style: intimate emotional scene with delicate faces; soft dawn light, pale blues and ochres; Indra approaching with composed posture, supplicant small in the foreground; lyrical negative space conveying surrender.","kerala_mural_prompt":"Kerala mural style: bold outlines, expressive eyes showing fear turning to trust; Indra in regal stance, simplified battlefield motifs; warm yellow-red tones with deep blue accents.","pichwai_prompt":"Pichwai cloth painting style: devotional composition with central Indra and a small kneeling figure; floral borders and lotus motifs framing the act of surrender; deep blue background with gold highlights, symmetrical calm."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["soft temple bells","wind hush","distant drums fading","silence","gentle conch"]}

Sandhi Resolution Notes: balavattarāḥ + sahasrāṃśena (Visarga dropped); tattulyo (Visarga -> o); kathaṃcana (Anusvara handling)

D
Dānavas

FAQs

It conveys humility and self-assessment: the speaker admits they are far inferior in strength compared to the powerful Dānavas previously defeated by the addressee.

Dānavas are a class of Asura beings in Purāṇic literature, often portrayed as formidable opponents of the devas and divine-aligned heroes.

It highlights honest self-knowledge and respect for proven capability—recognizing another’s achievements without arrogance or exaggeration.