Shloka 54
कूपवापीषु सर्वासु तथा पुष्करिणीषु च । एष एव विधिर्दृष्टः प्रतिष्ठासु तथैव च
kūpavāpīṣu sarvāsu tathā puṣkariṇīṣu ca | eṣa eva vidhirdṛṣṭaḥ pratiṣṭhāsu tathaiva ca
ในบรรดาบ่อน้ำและบ่อขั้นบันไดทั้งปวง ตลอดจนสระบัวทั้งหลาย ก็ทรงกำหนดพิธีวิธีเดียวกันนี้ไว้; และในพิธีประดิษฐาน/ปฏิษฐา (การอภิเษกสถาปนา) ก็ใช้กฎเดียวกันเช่นกัน
Unspecified (context-dependent narration within Sṛṣṭikhaṇḍa discourse)
Concept: A single dharmic protocol applies across water-works and consecrations: sacred merit is standardized through right procedure and charitable completion.
Application: Treat civic works (water, land, community spaces) as sacred responsibilities; pair projects with ethical giving and community benefit.
Primary Rasa: shanta
Visual Art Cues: {"scene_description":"A panoramic sequence-like scene: artisans finish a stone stepwell, villagers draw water from a well, and a lotus-filled puṣkariṇī glows beside a small shrine—each site marked by a modest consecration altar. The same ritual gestures repeat across settings, emphasizing continuity of dharma.","primary_figures":["village patrons","brāhmaṇa officiant","stone masons","women drawing water","pilgrims at the pond"],"setting":"Three linked vignettes—kūpa, vāpī (stepwell with carved steps), and puṣkariṇī with lotuses—each with a small consecration platform and offerings.","lighting_mood":"forest dappled","color_palette":["stone gray","turquoise water","lotus pink","sage green","sunlit gold"],"tanjore_prompt":"Tanjore painting style: triptych composition showing well, stepwell, and lotus-pond consecrations, gold leaf borders and highlights on ritual vessels, rich jewel tones, stylized architecture, ornate shrine details, symmetrical devotional framing.","pahari_prompt":"Pahari miniature style: lyrical landscape with a carved stepwell and lotus pond, delicate figures performing small consecration rites, soft shadows, refined facial features, gentle hills and trees, cool water tones with subtle warm accents.","kerala_mural_prompt":"Kerala mural style: bold outlined stepwell geometry and lotus pond, repeated ritual motifs across scenes, natural pigment palette, temple-wall aesthetic, decorative borders, emphasis on sacred water and orderly action.","pichwai_prompt":"Pichwai cloth painting style: ornate border of lotuses and creepers framing a central puṣkariṇī, with side panels showing a well and stepwell, peacocks and cows near water, deep blues and gold, intricate floral detailing, devotional symmetry."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"serene","sound_elements":["flowing water","stonework tapping","soft bell chimes","distant conch","birds in trees"]}
Sandhi Resolution Notes: vidhiḥ + dṛṣṭaḥ → vidhirdṛṣṭaḥ (visarga→r before voiced consonant); tathā + eva → tathaiva.
FAQs
It states that the same ritual procedure (vidhi) applies across different water structures—wells (kūpa), stepwells/reservoirs (vāpī), and lotus-ponds (puṣkariṇī).
The verse explicitly adds that the very same rule is also observed in pratiṣṭhās—i.e., establishment or consecration rites—indicating a standardized method across related sacred/ritual contexts.
It implies consistency and continuity in dharmic practice: similar sacred works and installations should be carried out according to an established, uniform procedure rather than arbitrary personal preference.