Shloka 115
Invocations, Definition and Authority of Purāṇa, Pulastya–Bhīṣma Frame, and the Creation–Dissolution Schema
तमोद्रेकं च कल्पांते रूपं रौद्रं करोति च । राजेंद्राखिलभूतानि भक्षयत्यतिभीषणः
tamodrekaṃ ca kalpāṃte rūpaṃ raudraṃ karoti ca | rājeṃdrākhilabhūtāni bhakṣayatyatibhīṣaṇaḥ
เมื่อสิ้นกัลป์ ครั้นความมืดทมิฬทวีขึ้น โอ้พระราชา พระองค์ทรงแปลงเป็นรูปเราทระอันดุร้าย น่าสะพรึงกลัวยิ่ง และทรงกลืนกินสรรพสัตว์ทั้งปวง
Unspecified narrator (context not provided in the input excerpt)
Concept: At kalpa’s end, the Lord assumes a terrifying raudra form and withdraws the manifested world by consuming all beings.
Application: Contemplate impermanence to loosen attachment; turn fear of endings into refuge in the timeless Lord through remembrance and disciplined living.
Primary Rasa: bhayanaka
Secondary Rasa: raudra
Type: celestial_realm
Visual Art Cues: {"scene_description":"The cosmos darkens as tamas swells like a storm-tide; the Lord manifests a colossal, wrathful form whose gaze is a furnace. Worlds and beings stream toward him like sparks into a cosmic fire, conveying both terror and inevitability.","primary_figures":["The Lord in raudra/pralaya form (Kāla-rūpa of Vishnu)"],"setting":"Apocalyptic sky with collapsing constellations and dissolving worlds over a churning void","lighting_mood":"storm-lit, ember-glow","color_palette":["obsidian black","smoke gray","molten orange","blood red","ashen violet"],"tanjore_prompt":"Tanjore painting style: a monumental Kāla-rūpa of the Lord with fierce eyes and flaming aura, gold leaf used as crackling fire patterns against a dark lacquered background, collapsing planetary discs and tiny beings drawn toward the mouth, ornate yet terrifying iconography, heavy jewelry contrasting with apocalyptic clouds.","pahari_prompt":"Pahari miniature style: dramatic pralaya scene with swirling ink-like clouds, the Lord’s fierce form rendered with refined linework, small delicate figures and worlds being drawn inward, cool-to-warm gradient from violet storm to orange fire, lyrical yet ominous composition.","kerala_mural_prompt":"Kerala mural style: fierce divine visage with bold outlines, stylized flames and storm bands, rhythmic patterning of devoured beings, strong reds and blacks with yellow highlights, temple-wall intensity and iconic symmetry.","pichwai_prompt":"Pichwai cloth painting style: an unconventional pralaya pichwai—deep indigo-black field, circular vortex of lotus petals turning into flames, central fierce divine form, intricate border of withering lotuses and fading stars, gold detailing to suggest cosmic heat."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["thunder rumble","conch blast (sharp)","low drum (mridangam) strokes","wind roar"]}
Sandhi Resolution Notes: तमोद्रेकं → तमः-उद्रेकम्; कल्पांते → कल्पान्ते; राजेंद्राखिलभूतानि → राजेन्द्र अखिलभूतानि; भक्षयत्यतिभीषणः → भक्षयति अतिभीषणः.
FAQs
“Kalpānte” refers to the end of a kalpa (aeon), a cosmic turning-point associated with dissolution (pralaya), when manifested worlds and beings are withdrawn.
It signals a cosmic condition where tamas (inertia/darkness) predominates—an emblem of dissolution, obscuration of order, and the onset of a terrifying transformative phase.
The verse emphasizes impermanence: all embodied existence is subject to cosmic cycles, encouraging detachment, humility, and spiritual orientation beyond transient forms.