Shloka 48
Origin of the Lunar Dynasty: Soma’s Rise, the Tārā Abduction War, Budha–Purūravas Genealogy, and Kārtavīrya Arjuna
ततः सा लज्जिता तेषां न किंचिदवदत्तदा । पुनः पुनस्तदा पृष्टा लज्जयंती वरांगना
tataḥ sā lajjitā teṣāṃ na kiṃcidavadattadā | punaḥ punastadā pṛṣṭā lajjayaṃtī varāṃganā
ครั้นนางละอายต่อหน้าพวกเขา จึงมิได้กล่าวสิ่งใดในเวลานั้น แม้ถูกถามซ้ำแล้วซ้ำเล่า นางผู้ประเสริฐก็ยังนิ่งเงียบด้วยความกระดาก
Narrator (contextual narration; specific dialogue speaker not explicit in this single verse)
Concept: Silence born of shame can prolong disorder; dharma seeks truthful speech (satya) balanced with dignity and compassion.
Application: When confronted, respond with truthful clarity rather than evasive silence; if shame blocks speech, seek a safe, compassionate setting to disclose truth.
Primary Rasa: karuna
Secondary Rasa: shringara
Type: celestial_realm
Visual Art Cues: {"scene_description":"Tārā sits with lowered gaze, hands clasped at her chest, her ornaments heavy yet her posture fragile. Around her, the devas’ questioning faces repeat in a rhythmic pattern, while the ritual fire flickers as if mirroring her wavering resolve.","primary_figures":["Tārā","Devas (surāḥ)","Bṛhaspati (in the background)"],"setting":"Ceremonial interior with a small homa-kuṇḍa, offerings laid out, and a cradle nearby; the crowd forms a press of witnesses.","lighting_mood":"temple lamp-lit","color_palette":["smoky amber","lotus pink","antique gold","ash gray","midnight blue"],"tanjore_prompt":"Tanjore painting style: close-focus on Tārā’s bashful face with gold-leaf highlights on jewelry; devas arranged in a formal arc, each with gem-studded crowns; lamp-lit ritual fire with metallic accents; rich maroon and green drapery, embossed gold borders emphasizing the weight of public gaze.","pahari_prompt":"Pahari miniature style: tender psychological portrait—Tārā’s downcast eyes and delicate hands; soft interior architecture, muted tones; devas rendered with restrained gestures, emphasizing repeated questioning through composition and spacing.","kerala_mural_prompt":"Kerala mural style: stylized Tārā with expressive eyes and curved brows; bold outlines; rhythmic repetition of deva faces; warm reds and yellows around the fire, deep greens and blues in garments, conveying pressure and restraint.","pichwai_prompt":"Pichwai cloth painting style: ornamental border of lotuses and vines framing a central seated Tārā; repeated deva figures like a patterned chorus; deep indigo ground with gold floral filigree, emphasizing silence as a visual stillness."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["soft crackle of ritual fire","hushed murmurs","brief silences","distant bell chime"]}
Sandhi Resolution Notes: किंचिदवदत् = किञ्चित् + अवदत्; अवदत्तदा = अवदत् + तदा; पुनः पुनः (पुनरुक्ति); वराङ्गना = वर + अङ्गना (कर्मधारय).
FAQs
The verse is narrated in third person; within this single shloka the specific named speaker is not stated, so it functions as narrative description rather than direct speech.
It highlights modesty and emotional restraint: a person may remain silent from shame or shyness even under repeated questioning, indicating the need for patience and sensitivity in inquiry.
Not directly. This shloka is primarily narrative (describing a woman’s bashful silence) and does not explicitly mention sacred geography or devotional doctrine in its wording.