Shloka 30
The Greatness of the Ancestors: Ekoddiṣṭa Śrāddha, Āśauca Rules, and Sapiṇḍīkaraṇa
एकोद्दिष्टं परित्यज्य मृताहे यः समाचरेत् । स दैवं पितृहा स स्यात्तथा भ्रातृविनाशकः
ekoddiṣṭaṃ parityajya mṛtāhe yaḥ samācaret | sa daivaṃ pitṛhā sa syāttathā bhrātṛvināśakaḥ
ผู้ใดในวันพิธีมรณะละทิ้งเอก็อดทิษฏะบูชาแล้วไปประกอบพิธีอื่น ผู้นั้นนับว่าเป็นผู้ทำลายปิตฤ และย่อมเป็นเหตุแห่งความพินาศของพี่น้องด้วย
Not explicitly specified in the provided excerpt (context needed from surrounding verses).
Concept: Pitṛ-dharma is time-sensitive; neglecting the ekoddiṣṭa on the death-day is a grave transgression that rebounds as harm to lineage and kin.
Application: When a family is in a mourning window, prioritize required rites and avoid mixing in unrelated pūjās/celebrations; consult a competent purohita and keep a clear ritual calendar.
Primary Rasa: bhayanaka
Secondary Rasa: raudra
Visual Art Cues: {"scene_description":"Inside a quiet ancestral hall, a householder stands before a low śrāddha altar with darbha and a small fire, hesitating as festive ritual items lie to the side—visually showing the temptation to ‘do other rites’ on a death-day. Shadowy ancestral silhouettes hover in the background, not as horror but as solemn witnesses, while the ekoddiṣṭa plate remains untouched, emphasizing the warning.","primary_figures":["gṛhastha (householder)","pitṛs (ancestral presences)","family priest (optional)"],"setting":"Domestic śrāddha space with a small agni-kunda, darbha/kuśa bundles, water pot, piṇḍa tray, and a covered mirror/quiet household signs of aśauca.","lighting_mood":"temple lamp-lit","color_palette":["smoky umber","lamp-gold","ash gray","deep maroon","pale sandalwood"],"tanjore_prompt":"Tanjore painting style: a solemn śrāddha interior with a seated purohita and a conflicted householder before a small agni-kunda; untouched ekoddiṣṭa offering plate in the foreground; faint pitṛ figures as aureoled silhouettes in the background; heavy gold leaf on ritual vessels, rich reds and greens in textiles, gem-studded ornaments on the priest, traditional South Indian iconographic framing with ornate arch.","pahari_prompt":"Pahari miniature style: intimate household courtyard scene during mṛtāha; delicate brushwork shows darbha grass, copper lota, and piṇḍa tray; the householder pauses between two ritual setups, conveying moral tension; cool muted palette with lyrical naturalism, refined faces, and a quiet Himalayan-style veranda backdrop.","kerala_mural_prompt":"Kerala mural style: bold black outlines and natural pigments depict the śrāddha altar, agni flames, and kuśa bundles; large expressive eyes on the householder and priest; red/yellow/green palette with stylized ancestral presences as soft ochre forms behind, temple-wall aesthetic.","pichwai_prompt":"Pichwai cloth painting style: a symbolic composition where the śrāddha altar sits beneath an ornate floral border; lotus motifs subdued, emphasizing restraint; peacocks and cows absent or minimal to keep austerity; deep indigo background with gold detailing on vessels, and a central empty offering plate signifying neglected ekoddiṣṭa."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["low temple bell","soft crackle of fire","silence between lines","distant conch (very faint)"]}
Sandhi Resolution Notes: मृताहे = मृत + अहि/अह (मृत-अहः) → सप्तमी एकवचन; स्यात्तथा = स्यात् + तथा.
FAQs
Ekoddiṣṭa refers to a śrāddha-type offering directed to a single, specifically intended departed ancestor, typically connected with death-related observances and immediate post-death rites.
It stresses ritual responsibility: neglecting obligatory death-rites for ancestors while prioritizing other acts is portrayed as a serious moral failing with harmful consequences for family and lineage.
This verse primarily focuses on pitṛ-dharma (ancestral ritual duty) and the ethics of proper observance, rather than directly teaching bhakti; its thrust is the gravity of neglecting prescribed rites.