Shloka 6
Raghunātha’s Entry into the City
Ayodhyā Festival Preparations and Procession
प्रतिगेहं तु लोकानां कारयंत्वगरूक्षणम् । यद्धूमं वीक्ष्य शिखिनो नृत्यं कुर्वंतु लीलया
pratigehaṃ tu lokānāṃ kārayaṃtvagarūkṣaṇam | yaddhūmaṃ vīkṣya śikhino nṛtyaṃ kurvaṃtu līlayā
ในทุกเรือนของประชาชน จงจัดให้เผาเครื่องหอมอการู เมื่อเห็นควันนั้น นกยูงทั้งหลายจักร่ายรำอย่างเริงเล่น
Unspecified in the provided excerpt (context needed to confirm the dialogue speaker, e.g., Pulastya to Bhīṣma).
Concept: Bhakti is not confined to temples—households become sanctuaries through simple fragrant offerings and joyful participation of all beings.
Application: Create a daily ‘home-utsava’—light incense, keep purity, and invite sacred remembrance so the household mood becomes calm, fragrant, and uplifting.
Primary Rasa: adbhuta
Secondary Rasa: shringara
Type: city
Visual Art Cues: {"scene_description":"Inside a row of homes along the avenue, families place glowing embers in small bronze censers and sprinkle agaru chips; fragrant smoke curls out through latticed windows into the street. On nearby rooftops and garden walls, peacocks lift their crests and begin to dance, their feathers catching the light as if the whole city breathes incense and celebration.","primary_figures":["householders","children","peacocks"],"setting":"Domestic courtyards with tulsi platforms (optional but culturally apt), bronze incense burners, open windows facing the decorated street; peacocks dancing on terraces.","lighting_mood":"golden dawn","color_palette":["smoke silver","bronze brown","peacock blue-green","lamp amber","jasmine white"],"tanjore_prompt":"Tanjore painting style: A household courtyard scene with a family offering agaru in ornate bronze censers, thick gold leaf highlights on vessels and jewelry; peacocks dancing at the threshold with iridescent tails; rich reds and greens, temple-like symmetry, decorative borders with conch-lotus motifs.","pahari_prompt":"Pahari miniature style: Intimate domestic verandas with delicate smoke wisps painted in fine lines; women and children watching peacocks dance on a rooftop; soft morning light, refined facial features, gentle naturalism, subtle floral details in the courtyard garden.","kerala_mural_prompt":"Kerala mural style: Stylized family figures with bold outlines around a smoking incense brazier; peacocks in iconic dancing poses; warm red-yellow-green pigments, patterned floor and borders, temple-wall aesthetic emphasizing auspicious domestic ritual.","pichwai_prompt":"Pichwai cloth painting style: Central domestic shrine-courtyard with incense smoke rendered as decorative spirals; peacocks dancing symmetrically on either side; lotus and floral borders, deep blue ground with gold highlights, intricate textile patterning across garments and feathers."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["soft household bells","incense crackle","peacock calls","distant drums","morning birds"]}
Sandhi Resolution Notes: kārayaṃtvagarūkṣaṇam = kārayantu + agaru-ukṣaṇam (u + a → va). yaddhūmam = yat + dhūmam (t + dh → ddh)
FAQs
It prescribes arranging agaru (aloeswood) to be burned as fragrant fumigation in every household.
The verse uses a poetic sign of auspiciousness: the fragrant smoke is said to delight peacocks, prompting them to dance playfully.
Maintaining a pure, auspicious home environment through simple ritual acts (like fragrant fumigation) is presented as a supportive condition for sacred living and communal well-being.