इति श्रुत्वाऽवदं चाहं कः पिंडः कस्य दीयते । तन्मम ब्रूत धर्मिष्ठाश्चतुर्भुजशरीरिणः
iti śrutvā'vadaṃ cāhaṃ kaḥ piṃḍaḥ kasya dīyate | tanmama brūta dharmiṣṭhāścaturbhujaśarīriṇaḥ
ครั้นได้ยินดังนั้น ข้าพเจ้าจึงกล่าวว่า “ปิณฑะใดถวายแก่ผู้ใด?” โอ้ผู้ทรงธรรมยิ่ง ท่านผู้มีสรีระสี่กร โปรดบอกแก่ข้าพเจ้าเถิด
Narrator / inquirer (the 'aham' speaking in first person)
Concept: Dharma is precise: offerings have designated recipients and effects; one should learn ‘to whom’ and ‘how’ piṇḍa is given to align action with intended spiritual outcome.
Application: Before performing family rituals, learn the procedure and intention; ask elders/ācāryas; perform with sincerity rather than mechanical habit.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: netherworld
Visual Art Cues: {"scene_description":"The brāhmaṇa, now composed, folds his hands and asks with careful precision about the piṇḍa—its nature and rightful recipient. The four-armed righteous ones stand like living icons, their weapons lowered in peace, ready to instruct.","primary_figures":["brāhmaṇa inquirer","four-armed dharmiṣṭha teachers"],"setting":"Quiet jeweled courtyard in Pātāla with a small ritual platform hinted—kusha grass, a water pot, and a lotus bowl for offerings","lighting_mood":"golden dawn","color_palette":["soft gold","lapis blue","sage green","lotus pink","smoky gray"],"tanjore_prompt":"Tanjore painting style: brāhmaṇa in añjali-mudrā asking a question before four-armed, haloed teachers; gold leaf halos and embossed ornaments; ritual platform with kuśa and kalaśa; rich maroon-green background, ornate border with conch and lotus motifs.","pahari_prompt":"Pahari miniature style: serene instructional moment—subtle gestures, refined faces; a small ritual setup in the foreground; cool blues and greens with gentle gold accents; delicate brushwork and lyrical spacing.","kerala_mural_prompt":"Kerala mural style: iconic teaching tableau—teacher figures frontal, inquirer in respectful posture; bold outlines, warm yellow-red-green palette; stylized ritual items (kalaśa, kuśa) rendered symbolically; decorative lotus border.","pichwai_prompt":"Pichwai cloth painting style: devotional didactic panel with ornate floral borders; lotus bowls and garland motifs; deep blue ground with gold linework; the inquirer placed humbly below the four-armed figures, conch/discus motifs repeating as auspicious patterning."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft water pour","low tanpura drone","distant bell","measured silence"]}
Sandhi Resolution Notes: श्रुत्वाऽवदं→श्रुत्वा अवदम्; चाहं→च अहम्; तन्मम→तत् मम; धर्मिष्ठाश्चतुर्भुजशरीरिणः→धर्मिष्ठाः चतुर्भुजशरीरिणः.
Piṇḍa refers to the rice-ball (and related) offering made in śrāddha/ancestral rites, intended for specific recipients such as pitṛs (ancestors) according to ritual rules.
Caturbhuja is a standard marker of divine/otherworldly, often Viṣṇu-associated iconography; here it identifies the addressed beings as exalted, authoritative figures capable of explaining dharma and ritual recipients.
It highlights the importance of clarity and correctness in dharma: offerings should be made with proper knowledge of who is entitled to receive them, rather than by assumption or vague custom.