Shloka 18
यम उवाच । अस्य किं विद्यतेऽमात्य कर्मापि च शुभाशुभम् । कथयस्व समूलं तु चित्रगुप्त विचक्षण
yama uvāca | asya kiṃ vidyate'mātya karmāpi ca śubhāśubham | kathayasva samūlaṃ tu citragupta vicakṣaṇa
ยมตรัสว่า: “โอ้เสนาบดี กรรมของผู้นี้ที่บันทึกไว้มีอะไรบ้าง ทั้งกุศลและอกุศล? โอ้จิตรคุปต์ผู้รอบรู้ จงเล่ารายละเอียดให้ครบถ้วนถึงรากเง้า”
Yama
Concept: Karma is knowable, recorded, and judged; nothing is lost from the moral ledger.
Application: Live as if every intention and act is being documented: keep daily self-audit, repair harms quickly, and cultivate small consistent merits (dāna, japa, vrata).
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
Type: celestial_realm
Visual Art Cues: {"scene_description":"In the austere hall of Dharmarāja, Yama sits upon a dark, lion-footed throne, his gaze steady as he summons the meticulous scribe. Chitragupta stands with palm-leaf ledger and stylus, ready to unroll the root-account of a soul’s deeds while shadowy attendants wait in silence.","primary_figures":["Yama (Dharmarāja)","Chitragupta","Yamadūtas (attendants)"],"setting":"Celestial court with carved pillars, judgment dais, hanging scales, and stacks of palm-leaf records; distant doorway opening into misty corridors of afterlife realms.","lighting_mood":"temple lamp-lit","color_palette":["obsidian black","smoky indigo","burnished gold","deep maroon","ash gray"],"tanjore_prompt":"Tanjore painting style: Yama enthroned in Dharmarāja-sabhā with gold leaf halo and ornate throne, Chitragupta holding palm-leaf ledger and stylus, gem-studded ornaments, rich maroon and emerald accents, symmetrical court architecture, delicate gold filigree borders, traditional South Indian iconography with crisp facial features and layered jewelry.","pahari_prompt":"Pahari miniature style: a refined celestial courtroom scene with delicate linework, Yama seated with composed authority, Chitragupta presenting a scroll-like ledger, cool indigo shadows, pale stone pillars, lyrical negative space, subtle gradients, and finely detailed textiles and crowns.","kerala_mural_prompt":"Kerala mural style: bold black outlines, Yama with characteristic large eyes and stylized crown, Chitragupta with manuscript bundle, warm red-yellow-green palette, temple-wall aesthetic pillars, rhythmic ornamentation, and flat yet powerful compositional symmetry.","pichwai_prompt":"Pichwai cloth painting style: a devotional moral tableau—Yama and Chitragupta framed by intricate floral borders and lotus motifs, deep blues and gold, attendant figures in patterned garments, ornate archways, and dense decorative detailing reminiscent of Nathdwara textiles (non-Krishna central but Pichwai ornament language)."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["low temple bells","distant conch shell","heavy silence","soft drum pulse"]}
Sandhi Resolution Notes: विद्यते+अमात्य → विद्यतेऽमात्य (ए+अ → एऽ); कर्म+अपि → कर्मापि (अ+अ → आ)
FAQs
Yama speaks to Chitragupta, addressing him as his minister/attendant and asking for a complete report of a person’s deeds.
It refers to both meritorious (auspicious) and sinful (inauspicious) actions, implying that moral evaluation considers the full balance of conduct.
It emphasizes accountability: actions have consequences, and a thorough, truthful reckoning of one’s deeds is central to moral order (dharma).