Shloka 114
The Episode of Vena: Purification, the ‘Vāsudevābhidhā’ Hymn, and the Dharma of Charity
Times, Tīrthas, Worthy Recipients
गुरुं च दीक्षितं चैव पात्रभूतं नरोत्तम । एतान्येव सुपात्राणि दानयोग्यानि सत्तम
guruṃ ca dīkṣitaṃ caiva pātrabhūtaṃ narottama | etānyeva supātrāṇi dānayogyāni sattama
โอ้บุรุษผู้ประเสริฐ—ทั้งครูผู้เป็นคุรุ ผู้ได้รับทีกษา และผู้เป็นภาชนะอันแท้จริง: เหล่านี้เท่านั้นคือผู้รับอันยอดเยี่ยม สมควรแก่ทาน โอ้ผู้ประเสริฐในหมู่สัตบุรุษ
Unspecified (context required to confirm the dialogue frame within Bhūmi-khaṇḍa 39)
Concept: Dāna bears fruit when offered to the right recipients: guru, dīkṣita (initiated), and genuinely qualified supātra; discernment safeguards the sanctity of giving.
Application: Support authentic teachers and sincere practitioners; verify integrity before donating; treat giving as sacred stewardship, not impulse or display.
Primary Rasa: shanta
Visual Art Cues: {"scene_description":"A householder kneels before his guru, offering a cloth-wrapped gift with both hands, while an initiated disciple stands nearby holding a japa-mālā. The scene emphasizes hierarchy and sanctity: the guru’s calm gaze, the disciple’s disciplined posture, and the quiet glow of lamps that sanctify the act of giving.","primary_figures":["Guru (ācārya)","Initiated disciple (dīkṣita)","Householder donor","Witnessing devotees"],"setting":"Temple-side teaching hall (maṭha) with low lamps, scripture shelf, and a small Viṣṇu emblem (śaṅkha-cakra) on the wall.","lighting_mood":"temple lamp-lit","color_palette":["ochre","vermillion","conch white","bronze gold","deep green"],"tanjore_prompt":"Tanjore painting style: guru seated on a pedestal with a subtle Viṣṇu emblem behind; householder offering dāna with reverent posture; dīkṣita disciple holding japa-mālā; gold leaf highlights on halos and ornaments, rich reds/greens, ornate borders and traditional South Indian iconography.","pahari_prompt":"Pahari miniature style: quiet maṭha interior with delicate brushwork; guru and donor in intimate exchange; soft textiles, refined faces, a small window opening to a pale landscape; restrained palette conveying śānta rasa.","kerala_mural_prompt":"Kerala mural style: bold outlines; guru and disciple with characteristic large eyes; warm red/yellow/green pigments; stylized lamp flames and ornamental borders; sacred didactic mood.","pichwai_prompt":"Pichwai cloth painting style: devotional giving scene framed by lotus and floral borders; subtle conch-disc motifs; deep blue background with gold detailing; emphasis on sanctity and auspiciousness rather than courtly grandeur."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"serene","sound_elements":["tanpura drone","soft temple bells","murmured mantra","lamp crackle"]}
Sandhi Resolution Notes: चैव = च + एव; पात्रभूतम् (समास); एतान्येव = एतानि + एव; सुपात्राणि (सु-उपपदपूर्वक समास/कर्मधारय); दानयोग्यानि (तत्पुरुष)
FAQs
The verse identifies three as supātra: the guru, the dīkṣita (one initiated through dīkṣā), and anyone genuinely qualified as a pātra (a worthy recipient).
It means “one who has become a proper vessel,” i.e., a person whose character, discipline, and spiritual qualification make them an appropriate recipient of gifts.
It teaches discernment in charity: giving should be directed toward spiritually and ethically worthy recipients, rather than being indiscriminate.