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Shloka 11

The Bestowal of Boons upon Aṅga

ऋषिभिर्मुनिभिः सिद्धैर्गंधर्वैःपरिभातिसः । गजैश्चाचलसंकाशैः सिंहनादैर्विराजते

ṛṣibhirmunibhiḥ siddhairgaṃdharvaiḥparibhātisaḥ | gajaiścācalasaṃkāśaiḥ siṃhanādairvirājate

เขาส่องประกายเมื่อรายล้อมด้วยฤๅษี มุนี สิทธะ และคันธรรพะ; และยิ่งโอ่อ่าด้วยช้างดุจภูเขา พร้อมเสียงคำรามดั่งราชสีห์

ṛṣibhiḥby sages
ṛṣibhiḥ:
Karaṇa (करण)
TypeNoun
Rootṛṣi (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd), बहुवचन
munibhiḥby ascetics
munibhiḥ:
Karaṇa (करण)
TypeNoun
Rootmuni (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd), बहुवचन
siddhaiḥby siddhas
siddhaiḥ:
Karaṇa (करण)
TypeNoun
Rootsiddha (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd), बहुवचन
gandharvaiḥby gandharvas
gandharvaiḥ:
Karaṇa (करण)
TypeNoun
Rootgandharva (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd), बहुवचन
paribhātishines forth
paribhāti:
Kriyā (क्रिया)
TypeVerb
Rootpari-bhā (धातु)
Formलट्-लकार (present), प्रथमपुरुष (3rd), एकवचन; परस्मैपद
saḥhe/it
saḥ:
Karta (कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formसर्वनाम, पुंलिङ्ग, प्रथमा (1st), एकवचन
gajaiḥby elephants
gajaiḥ:
Karaṇa (करण)
TypeNoun
Rootgaja (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd), बहुवचन
caand
ca:
Sambandha (सम्बन्ध/conj.)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चयार्थक-अव्यय (conjunction)
acala-saṃkāśaiḥresembling mountains
acala-saṃkāśaiḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootacala (प्रातिपदिक) + saṃkāśa (प्रातिपदिक)
Formउपमान-तत्पुरुष (acalavat saṃkāśaḥ = mountain-like), पुंलिङ्ग, तृतीया (3rd), बहुवचन
siṃha-nādaiḥwith lion-roars
siṃha-nādaiḥ:
Karaṇa (करण)
TypeNoun
Rootsiṃha (प्रातिपदिक) + nāda (प्रातिपदिक)
Formषष्ठी-तत्पुरुष (siṃhasya nādaḥ), पुंलिङ्ग, तृतीया (3rd), बहुवचन
virājateis splendid/gleams
virājate:
Kriyā (क्रिया)
TypeVerb
Rootvi-rāj (धातु)
Formलट्-लकार (present), प्रथमपुरुष (3rd), एकवचन; आत्मनेपद

Unspecified narrator (context-dependent within the Adhyaya)

Concept: True splendor is not solitary; it is validated by the presence of the wise (ṛṣis), perfected beings (siddhas), and refined arts (gandharvas), and by strength disciplined into guardianship (elephants, lion-roar).

Application: Seek environments that elevate character—teachers, disciplined communities, devotional gatherings—and let strength (status, resources, voice) serve protection and upliftment rather than ego.

Primary Rasa: vira

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A central radiant figure or throne-space is encircled by sages with matted locks and luminous siddhas, while gandharvas hover with instruments mid-song. In the foreground, colossal elephants like moving hills lift their trunks, and the air seems to vibrate with a lion-like roar of auspicious proclamation.","primary_figures":["ṛṣis","munis","siddhas","gandharvas","royal elephants"],"setting":"A grand court or sacred assembly ground with carved pillars, banners, and a wide processional avenue.","lighting_mood":"divine radiance","color_palette":["burnished gold","storm-cloud gray","peacock green","sandalwood beige","ruby red"],"tanjore_prompt":"Tanjore painting style: a majestic sacred court with a central luminous dais, sages and siddhas arranged symmetrically, gandharvas above with veena and flute; monumental elephants flanking the scene like guardian mountains; heavy gold leaf on crowns, ornaments, and architectural borders; saturated reds/greens, jewel-like detailing, iconic frontal composition.","pahari_prompt":"Pahari miniature style: a refined royal-sacred assembly with delicate faces of sages, translucent halos for siddhas, gandharvas in airy movement; elephants rendered with soft shading and mountain-like mass; cool atmospheric depth, patterned textiles, lyrical landscape beyond the court.","kerala_mural_prompt":"Kerala mural style: bold outlined elephants and sages in rhythmic rows, gandharvas with stylized instruments, intense red-yellow-green palette; temple-wall composition with ornamental borders, large expressive eyes, and a sense of ritual grandeur.","pichwai_prompt":"Pichwai cloth painting style: a symmetrical ceremonial scene framed by floral borders; elephants as decorative guardians, gandharvas as patterned motifs in the upper register; deep indigo ground with gold highlights, dense ornamentation, lotus and vine patterns filling negative space."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["kettle drums","conch shell","elephant bells","chanting chorus","resonant hall reverb"]}

Sandhi Resolution Notes: ऋषिभिर्मुनिभिः → ऋषिभिः + मुनिभिः; सिद्धैर्गंधर्वैः → सिद्धैः + गंधर्वैः; गंधर्वैःपरिभातिसः → गंधर्वैः + परिभाति + सः; गजैश्चाचलसंकाशैः → गजैः + च + अचलसंकाशैः; सिंहनादैर्विराजते → सिंहनादैः + विराजते.

ṛṣis
M
munis
S
siddhas
G
gandharvas
E
elephants

FAQs

It depicts a glorious, court-like divine setting where an exalted figure is attended by ṛṣis, munis, siddhas, and gandharvas, with majestic elephants adding to the grandeur.

It is a conventional Purāṇic hyperbole expressing immense power, stability, and royal splendor—elephants are portrayed as colossal and awe-inspiring, like mountains.

Indirectly, yes: it emphasizes reverence for sanctity and spiritual attainment by showing enlightened beings (ṛṣis, siddhas) gathered around the divine, highlighting the value of holiness and divine-centered life.