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Shloka 26

कर्णेन युधिष्ठिरानीकविदारणम् / Karṇa’s Breach of Yudhiṣṭhira’s Battle-Line

धर्मार्थकामं संयुक्त त्रिवेणुं दारु बन्धुरम्‌ । ओषधीर्वीरुधश्चैव घण्टा: पुष्पफलोपगा:

dharmārthakāmaṃ saṃyuktaṃ triveṇuṃ dāru-bandhuram | oṣadhīr vīrudhaś caiva ghaṇṭāḥ puṣpaphalopagāḥ |

ทุรโยธนะกล่าวว่า— ข้ารวม “ธรรมะ อรรถะ และกามะ” อันเป็นตรีประสานดุจตรีเวณี แล้วผูกยึดไว้กับโครงไม้ จนเป็นที่นั่งแห่งรถนั้น และจากสมุนไพรกับเถาวัลย์ที่อุดมด้วยดอกและผล ข้าทำให้เป็นเครื่องประดับรูปกระดิ่ง

धर्मार्थकामम्dharma, artha and kāma (as a triad)
धर्मार्थकामम्:
Karma
TypeNoun
Rootधर्मार्थकाम (धर्म + अर्थ + काम)
FormMasculine, Accusative, Singular
संयुक्तम्joined, combined
संयुक्तम्:
Karma
TypeAdjective
Rootसम् + युज्
FormMasculine, Accusative, Singular
त्रिवेणुम्a triple braid/threefold strand
त्रिवेणुम्:
Karma
TypeNoun
Rootत्रिवेणु
FormMasculine, Accusative, Singular
दारुबन्धुरम्having wooden framework/structure
दारुबन्धुरम्:
Karma
TypeAdjective
Rootदारुबन्धुर (दारु + बन्धुर)
FormMasculine, Accusative, Singular
ओषधीःherbs, medicinal plants
ओषधीः:
Karma
TypeNoun
Rootओषधी
FormFeminine, Accusative, Plural
वीरुधःcreepers, vines
वीरुधः:
Karma
TypeNoun
Rootवीरुध्
FormFeminine, Accusative, Plural
and
:
TypeIndeclinable
Root
एवindeed, just
एव:
TypeIndeclinable
Rootएव
घण्टाःbells
घण्टाः:
Karma
TypeNoun
Rootघण्टा
FormFeminine, Accusative, Plural
पुष्पफलोपगाःendowed with flowers and fruits
पुष्पफलोपगाः:
Karma
TypeAdjective
Rootपुष्पफलोपग (पुष्प + फल + उपग)
FormFeminine, Accusative, Plural

दुर्योधन उवाच

D
Duryodhana
D
dharma
A
artha
K
kāma
T
triveṇu (threefold braid/triad)
C
chariot seat
W
wooden frame
M
medicinal herbs (oṣadhi)
V
vines/creepers (vīrudh)
B
bells (ghaṇṭāḥ)
F
flowers
F
fruits

Educational Q&A

The verse uses a crafted image to suggest that human aims—dharma (moral order), artha (power/prosperity), and kāma (desire)—can be ‘woven together’ into a single structure. In the Mahābhārata’s ethical horizon, this raises a tension: when such aims are blended without dharma governing the others, splendour and ingenuity may still serve a flawed purpose.

Duryodhana describes an act of symbolic construction and ornamentation connected with a chariot: he imagines the triad of dharma-artha-kāma as a threefold braid forming the seat, and he fashions bell-like decorations from flowering, fruit-bearing herbs and vines—projecting royal magnificence and deliberate design amid the war setting.